Rare Old Map of Prayagraj (Allahabad) by Bartholomew, 1893: Fort, Sangam, Civil Lines, Cantonments, Railways
Restaurée dans notre atelier londonien à partir de la carte originale de 1893 et imprimée en qualité musée. Description complète
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Choisissez deux œuvres éligibles et bénéficiez de 20 % de réduction sur les deux. Choisissez-en trois et celle au prix le plus bas est offerte, pour une économie maximale de 33 %.
Associez librement des cartes standard éligibles et des tirages d’art. Aucun code n’est requis ; l’offre est appliquée automatiquement lors du paiement.
Les configurations standard réalisées sur commande sont incluses. Les formats sur mesure, les créations personnalisées et les œuvres commissionnées sont exclus.
Besoin d’une livraison à différentes adresses ? Contactez-nous avant de commander.
Restauré à Londres • Imprimé et encadré en Canada
Restaurée à partir de la carte originale de 1893 et imprimée en qualité musée. Description complète
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Allahabad and Environs (Plate 44) captures the late-nineteenth-century capital at the storied junction of the Ganges and Jumna, rendered with the lucid...
Continuer la lectureAllahabad and Environs (Plate 44) captures the late-nineteenth-century capital at the storied junction of the Ganges and Jumna, rendered with the lucid precision of John George Bartholomew and issued by Archibald Constable & Company in 1893. As a city map, it is unusually revealing: the Mughal-era Allahabad Fort anchors the riverfront while a modern lattice of roads, railways, bridges, and canals radiates from the confluence, articulating a metropolis where pilgrimage, bureaucracy, and commerce overlap. Part of Constable’s Hand Atlas of India, the plate balances topographic nuance with urban legibility—pinpointing public buildings, parks, and river landings—so that neighborhoods, bazaars, and the planned colonial quarters can be read as a single living geography. The result is a compelling portrait of an Indian city at a pivotal moment of imperial and civic transformation.
The plate’s urban anatomy unfolds street by street. Walled City Road and Kydganj Road delineate the dense historic quarters near the ghats, where markets spill into lanes like Sadar Bazar Road and Daryaganj Road. Westward, a rational grid announces itself through Civil Lines Road, Victoria Road, Bank Road, and Elgin Road, tracing the planned order of the colonial administration. Company Bagh Road leads into broad green, a landscaped park counterpoint to the bustling chowks. Arterial thoroughfares—Beli Road, Parade Road, and Allenby Road—tie these districts to the broader road network, while Ameenabad, Ganeshganj, and Paharganj Roads sketch the residential suburbs advancing beyond the old ramparts. The juxtaposition of intimate neighborhoods with broad avenues and civic greens is precisely what makes this an especially interesting city map.
Bartholomew gives the rivers a starring role, mapping the Ganges and Jumna with careful attention to banks, islands, and the seasonal drama of monsoon water. Areas marked as “land inundated during rains” disclose the city’s hydrological logic, revealing floodplain margins that shaped settlement, road alignments, and the positioning of public works. Railway lines and river bridges stitch the banks into a single urban field, with East Track Road shadowing the iron way and confirming Allahabad’s emergence as a rail hub linking the North-Western Provinces to broader markets. Canals and embankments curve along the low ground, while river landings and ferry points speak to the enduring vitality of river trade and pilgrimage traffic at the Sangam. It is a hydroscape rendered as infrastructure, belief, and economy all at once.
Military geography is foregrounded with rare candor: cantonments are tinted in yellow, and their internal order—Parade Road, Sadar Bazar Road, New Cantonment Road, and Strategic Road—reads like a manual of garrison planning. The spatial relationship between these cantonments, the Fort, and the trunk roads explains how the city was secured after 1857 and how troops, mail, and commodities flowed between depots, railheads, and river crossings. The yellow washes also make plain the duality of Allahabad—administrative seat, legal center, and rail nexus on one hand; fortified node commanding the confluence on the other. This explicit, color-coded stratigraphy of civil and martial space is a distinctive virtue of the map and a key reason it rewards close urban study.
John George Bartholomew, often called the “Prince of Cartography,” brings his characteristic synthesis of scientific exactitude and typographic grace to this plate, while Archibald Constable & Company situates it within the authoritative Constable’s Hand Atlas of India. Bartholomew’s judicious use of color and symbol renders complex urban information—roads, rails, parks, public buildings, and cantonments—instantly intelligible. For historians, the map fixes Allahabad at the height of its provincial primacy, when courts, colleges, and administrative offices transformed its civic core even as bazaars and riverfront traditions endured. For collectors and connoisseurs of city plans, it exemplifies late-Victorian urban cartography: a meticulous, idea-rich sheet that reveals how transport, water, and power organized one of North India’s most significant cities.
Streets and roads on this map
- Allenby Road
- Ameenabad Road
- Awasthi Road
- Bank Road
- Beli Road
- Civil Lines Road
- Company Bagh Road
- Daryaganj Road
- East Track Road
- Elgin Road
- French Road
- Ganeshganj Road
- Ghonshah Road
- Hathi Pahar Road
- Jawahar Road
- Jewar Road
- Kydganj Road
- Lalita Devi Road
- Mahatma Gandhi Marg
- Mohan Road
- Mothi Bagh Road
- New Cantonment Road
- Numaish Road
- Old Bai Ka Kua
- Paharganj Road
- Parade Road
- Raebareli Road
- Sadar Bazar Road
- Strategic Road
- Victoria Road
- Walled City Road
Notable Features & Landmarks
- Allahabad Fort
- Cantonment areas marked in yellow
- Major roads and railways
- Parks and public buildings
- Rivers Ganges and Jumna
- Land inundated during rains
- Various landmarks and neighbourhoods
Historical and design context
- Map Title: Allahabad and Environs (Plate 44).
- Mapmaker/Publisher: Created by J G John George Bartholomew and published by Archibald Constable & Company.
- Date of Creation: 1893.
- Map's Origin: This map is part of the "Constable's Hand Atlas of India," which consists of 60 double-page maps.
- Design: The binding is distinctive, made of red cloth with maroon goatskin, featuring gilt accents, reflecting high-quality craftsmanship typical of significant historical publications.
- Geographical Context: Depicts the city of Allahabad and surrounding areas, detailing various features pertinent to late 19th-century India.
- Historical Significance: Serves as a valuable resource for historians and cartography enthusiasts to understand the geography and infrastructure of 19th-century India.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Allahabad and Environs (Plate 44) captures the late-nineteenth-century capital at the storied junction of the Ganges and Jumna, rendered with the lucid precision of John George Bartholomew and issued by Archibald Constable & Company in 1893. As a city map, it is unusually revealing: the Mughal-era Allahabad Fort anchors the riverfront while a modern lattice of roads, railways, bridges, and canals radiates from the confluence, articulating a metropolis where pilgrimage, bureaucracy, and commerce overlap. Part of Constable’s Hand Atlas of India, the plate balances topographic nuance with urban legibility—pinpointing public buildings, parks, and river landings—so that neighborhoods, bazaars, and the planned colonial quarters can be read as a single living geography. The result is a compelling portrait of an Indian city at a pivotal moment of imperial and civic transformation.
The plate’s urban anatomy unfolds street by street. Walled City Road and Kydganj Road delineate the dense historic quarters near the ghats, where markets spill into lanes like Sadar Bazar Road and Daryaganj Road. Westward, a rational grid announces itself through Civil Lines Road, Victoria Road, Bank Road, and Elgin Road, tracing the planned order of the colonial administration. Company Bagh Road leads into broad green, a landscaped park counterpoint to the bustling chowks. Arterial thoroughfares—Beli Road, Parade Road, and Allenby Road—tie these districts to the broader road network, while Ameenabad, Ganeshganj, and Paharganj Roads sketch the residential suburbs advancing beyond the old ramparts. The juxtaposition of intimate neighborhoods with broad avenues and civic greens is precisely what makes this an especially interesting city map.
Bartholomew gives the rivers a starring role, mapping the Ganges and Jumna with careful attention to banks, islands, and the seasonal drama of monsoon water. Areas marked as “land inundated during rains” disclose the city’s hydrological logic, revealing floodplain margins that shaped settlement, road alignments, and the positioning of public works. Railway lines and river bridges stitch the banks into a single urban field, with East Track Road shadowing the iron way and confirming Allahabad’s emergence as a rail hub linking the North-Western Provinces to broader markets. Canals and embankments curve along the low ground, while river landings and ferry points speak to the enduring vitality of river trade and pilgrimage traffic at the Sangam. It is a hydroscape rendered as infrastructure, belief, and economy all at once.
Military geography is foregrounded with rare candor: cantonments are tinted in yellow, and their internal order—Parade Road, Sadar Bazar Road, New Cantonment Road, and Strategic Road—reads like a manual of garrison planning. The spatial relationship between these cantonments, the Fort, and the trunk roads explains how the city was secured after 1857 and how troops, mail, and commodities flowed between depots, railheads, and river crossings. The yellow washes also make plain the duality of Allahabad—administrative seat, legal center, and rail nexus on one hand; fortified node commanding the confluence on the other. This explicit, color-coded stratigraphy of civil and martial space is a distinctive virtue of the map and a key reason it rewards close urban study.
John George Bartholomew, often called the “Prince of Cartography,” brings his characteristic synthesis of scientific exactitude and typographic grace to this plate, while Archibald Constable & Company situates it within the authoritative Constable’s Hand Atlas of India. Bartholomew’s judicious use of color and symbol renders complex urban information—roads, rails, parks, public buildings, and cantonments—instantly intelligible. For historians, the map fixes Allahabad at the height of its provincial primacy, when courts, colleges, and administrative offices transformed its civic core even as bazaars and riverfront traditions endured. For collectors and connoisseurs of city plans, it exemplifies late-Victorian urban cartography: a meticulous, idea-rich sheet that reveals how transport, water, and power organized one of North India’s most significant cities.
Streets and roads on this map
- Allenby Road
- Ameenabad Road
- Awasthi Road
- Bank Road
- Beli Road
- Civil Lines Road
- Company Bagh Road
- Daryaganj Road
- East Track Road
- Elgin Road
- French Road
- Ganeshganj Road
- Ghonshah Road
- Hathi Pahar Road
- Jawahar Road
- Jewar Road
- Kydganj Road
- Lalita Devi Road
- Mahatma Gandhi Marg
- Mohan Road
- Mothi Bagh Road
- New Cantonment Road
- Numaish Road
- Old Bai Ka Kua
- Paharganj Road
- Parade Road
- Raebareli Road
- Sadar Bazar Road
- Strategic Road
- Victoria Road
- Walled City Road
Notable Features & Landmarks
- Allahabad Fort
- Cantonment areas marked in yellow
- Major roads and railways
- Parks and public buildings
- Rivers Ganges and Jumna
- Land inundated during rains
- Various landmarks and neighbourhoods
Historical and design context
- Map Title: Allahabad and Environs (Plate 44).
- Mapmaker/Publisher: Created by J G John George Bartholomew and published by Archibald Constable & Company.
- Date of Creation: 1893.
- Map's Origin: This map is part of the "Constable's Hand Atlas of India," which consists of 60 double-page maps.
- Design: The binding is distinctive, made of red cloth with maroon goatskin, featuring gilt accents, reflecting high-quality craftsmanship typical of significant historical publications.
- Geographical Context: Depicts the city of Allahabad and surrounding areas, detailing various features pertinent to late 19th-century India.
- Historical Significance: Serves as a valuable resource for historians and cartography enthusiasts to understand the geography and infrastructure of 19th-century India.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
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Veuillez noter que les grandes commandes encadrées prennent généralement plus de temps à réaliser et à livrer.
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Toutes mes cartes et impressions artistiques sont bien emballées et envoyées dans un tube robuste si non encadrées, ou entourées de mousse si encadrées.
J'essaie d'envoyer toutes les commandes dans les 1 ou 2 jours suivant la réception de votre commande, bien que certains produits (comme les masques, les mugs et les sacs fourre-tout) puissent prendre plus de temps à réaliser.
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J'utilise de l'acrylique super clair (perspex/acrylite) pour le verre du cadre. C'est plus léger et plus sûr que le verre - et cela a meilleur aspect, car la réflexivité est plus faible.
Six couleurs de cadre standard sont disponibles gratuitement (noir, marron foncé, gris foncé, chêne, blanc et or antique). Des encadrements et montages/matelassages personnalisés sont disponibles si vous recherchez autre chose.
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Tous les cadres sont fournis "prêts à accrocher", avec soit une corde, soit des supports à l'arrière. Les très grands cadres auront des plaques de suspension lourdes et/ou une latte de montage. Si vous avez des questions, veuillez nous contacter.
Voir quelques exemples de mes cartes encadrées et de cartes en toile encadrées.
Alternativement, je peux également fournir de vieilles cartes et œuvres d'art sur toile, sur panneau en mousse, en coton et d'autres matériaux.
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Je recherche des cartes originales et rares auprès de bibliothèques, de maisons de ventes aux enchères et de collections privées du monde entier, je les restaure dans mon atelier de Londres, puis j'utilise des encres et des imprimantes giclées spécialisées pour créer de magnifiques cartes encore plus belles que l'originale.
Mes cartes sont imprimées sur du papier d’archives mat (non brillant) sans acide qui semble de très haute qualité et ressemble presque à une carte. En termes techniques, le grammage/épaisseur du papier est de 10 mil/200 g/m². C'est parfait pour l'encadrement.
J’imprime avec des encres pigmentaires Epson ultrachrome giclée UV résistantes à la décoloration – certaines des meilleures encres que vous puissiez trouver.
je peux aussi faire cartes sur toile, chiffon en coton et autres matériaux exotiques.
En savoir plus sur Unique Maps Co..
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Si vous recherchez le cadeau parfait pour un anniversaire ou une pendaison de crémaillère, je peux personnaliser votre carte pour la rendre vraiment unique. Par exemple, je peux ajouter un court message, mettre en évidence un lieu important ou ajouter les armoiries de votre famille.
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Pour commander une carte personnalisée, sélectionnez « personnaliser votre carte » avant de l'ajouter à votre panier.
Entrer en contact si vous recherchez des personnalisations et des personnalisations plus complexes.
Vieillissement de la carte
Au fil des ans, des clients m'ont demandé des centaines de fois s'ils pouvaient acheter une carte qui semble uniforme. plus vieux.
Eh bien, vous pouvez désormais le faire en sélectionnant Aged avant d'ajouter une carte à votre panier.
Toutes les photos de produits que vous voyez sur cette page montrent la carte dans sa forme originale. Voilà à quoi ressemble la carte aujourd'hui.
Si vous sélectionnez Vieilli, je vieillirai votre carte à la main, en utilisant un processus spécial et unique développé au cours d'années d'étude de cartes anciennes, de discussions avec des chercheurs pour comprendre la chimie du vieillissement du papier, et bien sûr... beaucoup de pratique !
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J'utilise un processus unique pour restaurer des cartes et des œuvres d'art qui est extrêmement chronophage et exigeant en main-d'œuvre. Trouver les cartes et illustrations originales peut prendre des mois. J'utilise une technologie de pointe et incroyablement coûteuse pour les numériser et les restaurer. En conséquence, je garantis que mes cartes et impressions artistiques sont d'une qualité supérieure - c'est pourquoi je peux offrir un remboursement sans conditions.
Presque toutes mes cartes et impressions artistiques ont l'air incroyables en grandes tailles (200 cm, 6,5 pieds+) et je peux également les encadrer et vous les livrer, via un transporteur spécial surdimensionné. Contactez-moi pour discuter de vos besoins spécifiques.
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Allahabad and Environs (Plate 44) captures the late-nineteenth-century capital at the storied junction of the Ganges and Jumna, rendered with the lucid precision of John George Bartholomew and issued by Archibald Constable & Company in 1893. As a city map, it is unusually revealing: the Mughal-era Allahabad Fort anchors the riverfront while a modern lattice of roads, railways, bridges, and canals radiates from the confluence, articulating a metropolis where pilgrimage, bureaucracy, and commerce overlap. Part of Constable’s Hand Atlas of India, the plate balances topographic nuance with urban legibility—pinpointing public buildings, parks, and river landings—so that neighborhoods, bazaars, and the planned colonial quarters can be read as a single living geography. The result is a compelling portrait of an Indian city at a pivotal moment of imperial and civic transformation.
The plate’s urban anatomy unfolds street by street. Walled City Road and Kydganj Road delineate the dense historic quarters near the ghats, where markets spill into lanes like Sadar Bazar Road and Daryaganj Road. Westward, a rational grid announces itself through Civil Lines Road, Victoria Road, Bank Road, and Elgin Road, tracing the planned order of the colonial administration. Company Bagh Road leads into broad green, a landscaped park counterpoint to the bustling chowks. Arterial thoroughfares—Beli Road, Parade Road, and Allenby Road—tie these districts to the broader road network, while Ameenabad, Ganeshganj, and Paharganj Roads sketch the residential suburbs advancing beyond the old ramparts. The juxtaposition of intimate neighborhoods with broad avenues and civic greens is precisely what makes this an especially interesting city map.
Bartholomew gives the rivers a starring role, mapping the Ganges and Jumna with careful attention to banks, islands, and the seasonal drama of monsoon water. Areas marked as “land inundated during rains” disclose the city’s hydrological logic, revealing floodplain margins that shaped settlement, road alignments, and the positioning of public works. Railway lines and river bridges stitch the banks into a single urban field, with East Track Road shadowing the iron way and confirming Allahabad’s emergence as a rail hub linking the North-Western Provinces to broader markets. Canals and embankments curve along the low ground, while river landings and ferry points speak to the enduring vitality of river trade and pilgrimage traffic at the Sangam. It is a hydroscape rendered as infrastructure, belief, and economy all at once.
Military geography is foregrounded with rare candor: cantonments are tinted in yellow, and their internal order—Parade Road, Sadar Bazar Road, New Cantonment Road, and Strategic Road—reads like a manual of garrison planning. The spatial relationship between these cantonments, the Fort, and the trunk roads explains how the city was secured after 1857 and how troops, mail, and commodities flowed between depots, railheads, and river crossings. The yellow washes also make plain the duality of Allahabad—administrative seat, legal center, and rail nexus on one hand; fortified node commanding the confluence on the other. This explicit, color-coded stratigraphy of civil and martial space is a distinctive virtue of the map and a key reason it rewards close urban study.
John George Bartholomew, often called the “Prince of Cartography,” brings his characteristic synthesis of scientific exactitude and typographic grace to this plate, while Archibald Constable & Company situates it within the authoritative Constable’s Hand Atlas of India. Bartholomew’s judicious use of color and symbol renders complex urban information—roads, rails, parks, public buildings, and cantonments—instantly intelligible. For historians, the map fixes Allahabad at the height of its provincial primacy, when courts, colleges, and administrative offices transformed its civic core even as bazaars and riverfront traditions endured. For collectors and connoisseurs of city plans, it exemplifies late-Victorian urban cartography: a meticulous, idea-rich sheet that reveals how transport, water, and power organized one of North India’s most significant cities.
Streets and roads on this map
- Allenby Road
- Ameenabad Road
- Awasthi Road
- Bank Road
- Beli Road
- Civil Lines Road
- Company Bagh Road
- Daryaganj Road
- East Track Road
- Elgin Road
- French Road
- Ganeshganj Road
- Ghonshah Road
- Hathi Pahar Road
- Jawahar Road
- Jewar Road
- Kydganj Road
- Lalita Devi Road
- Mahatma Gandhi Marg
- Mohan Road
- Mothi Bagh Road
- New Cantonment Road
- Numaish Road
- Old Bai Ka Kua
- Paharganj Road
- Parade Road
- Raebareli Road
- Sadar Bazar Road
- Strategic Road
- Victoria Road
- Walled City Road
Notable Features & Landmarks
- Allahabad Fort
- Cantonment areas marked in yellow
- Major roads and railways
- Parks and public buildings
- Rivers Ganges and Jumna
- Land inundated during rains
- Various landmarks and neighbourhoods
Historical and design context
- Map Title: Allahabad and Environs (Plate 44).
- Mapmaker/Publisher: Created by J G John George Bartholomew and published by Archibald Constable & Company.
- Date of Creation: 1893.
- Map's Origin: This map is part of the "Constable's Hand Atlas of India," which consists of 60 double-page maps.
- Design: The binding is distinctive, made of red cloth with maroon goatskin, featuring gilt accents, reflecting high-quality craftsmanship typical of significant historical publications.
- Geographical Context: Depicts the city of Allahabad and surrounding areas, detailing various features pertinent to late 19th-century India.
- Historical Significance: Serves as a valuable resource for historians and cartography enthusiasts to understand the geography and infrastructure of 19th-century India.
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