Arndt’s Vintage Non-Alcoholic Beer Poster by Julius Klinger, 1906
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1906 e stampata in qualità museale. Descrizione completa
L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in Canada
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1906 e stampata in qualità museale. Descrizione completa
Scegli il formato
Scegli la finitura
(Maggiori informazioni)
Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
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Julius Klinger’s Arndt’s alkoholfreies Bier, created in 1906, turns an unfamiliar proposition—non-alcoholic beer—into a piece of brisk visual theatre. A green bottle...
Continua a leggereJulius Klinger’s Arndt’s alkoholfreies Bier, created in 1906, turns an unfamiliar proposition—non-alcoholic beer—into a piece of brisk visual theatre. A green bottle occupies the centre of a vivid red field, encircled by four men in black top hats who peer towards it with exaggerated curiosity. Their dark profiles frame the product like an impromptu committee of inspection, while the bottle’s bright colour and pale highlights make it appear almost illuminated against the emphatic background.
An Austrian designer celebrated for economical forms, sharp colour contrasts and assured typography, Klinger belonged to a period in which the modern advertising poster was becoming a distinctive art in its own right. Images designed for the street had to communicate immediately amid the distractions of urban life. Here, rather than surrounding the drink with naturalistic detail, Klinger reduces the message to a few memorable components: bottle, brand name, astonished spectators and a witty claim. The subject also reflects an expanding early twentieth-century beverage market, in which a non-alcoholic beer could be presented as both a novelty and the solution to a long-standing problem.
A closer look
The composition is tightly organised around the upright bottle. Its narrow green silhouette provides a strong vertical axis, but the arrangement around it is deliberately less orderly. Heads and hats press in from the edges, creating a crowded, almost conspiratorial circle. Some faces are seen largely in profile, their cartoon-like noses, chins and expressions sharpened against the red ground. The close cropping makes the men seem to lean into the scene from beyond the poster, directing every gaze—and consequently the viewer’s attention—towards the beer.
Colour performs much of the persuasive work. The near-black figures establish a dense outer frame, the scarlet-red background supplies urgency, and the saturated green bottle becomes the single chromatic counterweight. Although most of the design relies on flat, solid areas, lighter marks on the glass give the bottle a suggestion of volume. The label is comparatively intricate, rewarding closer attention with smaller lettering and decorative detail after the larger forms have delivered their immediate impact.
Typography controls the order in which the advertisement is read. “Arndt’s” appears prominently in large white lettering above the bottle, while “alkoholfreies Bier” identifies the product with equal clarity. Below, the smaller slogan declares, “After a thousand-year attempt, the riddle is finally solved!” The grandiose phrasing is knowingly playful: the beverage is introduced not simply as another commercial product, but as the triumphant answer to an age-old puzzle. Changes of scale allow the brand to be grasped first and the joke discovered afterwards.
Context and significance
Klinger’s design exemplifies a decisive shift away from crowded nineteenth-century advertising towards a more concentrated graphic language. Simplified silhouettes, restricted colour and oversized lettering could be understood rapidly and remembered easily. Yet economy does not mean severity here. The four top-hatted observers give the poster narrative, social comedy and movement; their collective fascination effectively demonstrates the response the advertisement hopes to provoke.
The result is both direct and mischievous. Klinger makes the bottle unmistakable, but it is the surrounding cast—their hats, compressed faces and shared air of discovery—that gives Arndt’s alkoholfreies Bier its lasting personality. It remains an incisive example of how early modern commercial art could turn a straightforward product announcement into a compact visual joke.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Julius Klinger’s Arndt’s alkoholfreies Bier, created in 1906, turns an unfamiliar proposition—non-alcoholic beer—into a piece of brisk visual theatre. A green bottle occupies the centre of a vivid red field, encircled by four men in black top hats who peer towards it with exaggerated curiosity. Their dark profiles frame the product like an impromptu committee of inspection, while the bottle’s bright colour and pale highlights make it appear almost illuminated against the emphatic background.
An Austrian designer celebrated for economical forms, sharp colour contrasts and assured typography, Klinger belonged to a period in which the modern advertising poster was becoming a distinctive art in its own right. Images designed for the street had to communicate immediately amid the distractions of urban life. Here, rather than surrounding the drink with naturalistic detail, Klinger reduces the message to a few memorable components: bottle, brand name, astonished spectators and a witty claim. The subject also reflects an expanding early twentieth-century beverage market, in which a non-alcoholic beer could be presented as both a novelty and the solution to a long-standing problem.
A closer look
The composition is tightly organised around the upright bottle. Its narrow green silhouette provides a strong vertical axis, but the arrangement around it is deliberately less orderly. Heads and hats press in from the edges, creating a crowded, almost conspiratorial circle. Some faces are seen largely in profile, their cartoon-like noses, chins and expressions sharpened against the red ground. The close cropping makes the men seem to lean into the scene from beyond the poster, directing every gaze—and consequently the viewer’s attention—towards the beer.
Colour performs much of the persuasive work. The near-black figures establish a dense outer frame, the scarlet-red background supplies urgency, and the saturated green bottle becomes the single chromatic counterweight. Although most of the design relies on flat, solid areas, lighter marks on the glass give the bottle a suggestion of volume. The label is comparatively intricate, rewarding closer attention with smaller lettering and decorative detail after the larger forms have delivered their immediate impact.
Typography controls the order in which the advertisement is read. “Arndt’s” appears prominently in large white lettering above the bottle, while “alkoholfreies Bier” identifies the product with equal clarity. Below, the smaller slogan declares, “After a thousand-year attempt, the riddle is finally solved!” The grandiose phrasing is knowingly playful: the beverage is introduced not simply as another commercial product, but as the triumphant answer to an age-old puzzle. Changes of scale allow the brand to be grasped first and the joke discovered afterwards.
Context and significance
Klinger’s design exemplifies a decisive shift away from crowded nineteenth-century advertising towards a more concentrated graphic language. Simplified silhouettes, restricted colour and oversized lettering could be understood rapidly and remembered easily. Yet economy does not mean severity here. The four top-hatted observers give the poster narrative, social comedy and movement; their collective fascination effectively demonstrates the response the advertisement hopes to provoke.
The result is both direct and mischievous. Klinger makes the bottle unmistakable, but it is the surrounding cast—their hats, compressed faces and shared air of discovery—that gives Arndt’s alkoholfreies Bier its lasting personality. It remains an incisive example of how early modern commercial art could turn a straightforward product announcement into a compact visual joke.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
