Chicago World's Fair Travel Poster by Weimer Pursell, 1934
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
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Tempi di consegna
La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
L’offerta del collezionista
Scegli due opere idonee e ricevi il 25% di sconto su entrambe. Puoi abbinare liberamente mappe e opere d’arte.
Non è richiesto alcun codice. L’offerta viene applicata automaticamente.
Termini e condizioni completi
L’offerta del collezionista si applica alle opere idonee nelle configurazioni standard realizzate su ordinazione. Sono esclusi i formati su misura, i design personalizzati e i lavori su commissione. I prodotti con “personalised” o “custom” nel nome sono generalmente esclusi.
L’offerta è gestita come due sconti automatici separati: uno per i formati più piccoli e uno per i formati più grandi. Per averne diritto, è necessario acquistare due opere idonee all’interno dello stesso gruppo di formato. Mappe e stampe d’arte possono essere abbinate liberamente all’interno di ciascun gruppo.
Ad esempio, due stampe idonee in formato A4 o 8 × 10 in danno diritto al 25% di sconto su entrambe. Una stampa di formato più piccolo e un’opera di formato più grande non danno diritto allo sconto se acquistate insieme, poiché gli articoli di gruppi di formato diversi non possono essere combinati per soddisfare il requisito dei due articoli.
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If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
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Tempi di consegna
La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
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Weimer Pursell’s World’s fair – Chicago – 1934 turns the Century of Progress exposition into a brilliant vertical panorama of architecture, water...
Continua a leggereWeimer Pursell’s World’s fair – Chicago – 1934 turns the Century of Progress exposition into a brilliant vertical panorama of architecture, water and human activity. A slender white tower rises through the centre, its sharply ruled structure set against an expansive blue sky, while orange and yellow buildings gather around its base. Below, crowds in vividly patterned clothing and a small boat animate the fairground, giving the streamlined composition both scale and movement.
Created to promote the Chicago exposition as a destination, the poster belongs to an interwar culture fascinated by industry, spectacle and modern design. Pursell brought considerable commercial experience to the commission: Tennessee-born, he moved to Chicago in the late 1920s, trained at the Art Institute of Chicago and worked as both a billboard artist and magazine illustrator. Those disciplines meet here in an image designed to be understood at once, yet rich enough to reward a longer look. Its Art Deco geometry and emphatic colour present the fair not simply as an exhibition, but as a persuasive vision of the modern city.
A closer look
The composition is organised around the central tower, whose pale surfaces form a decisive contrast with the saturated sky. Its narrow, upward thrust is echoed by smaller verticals across the fairground, although the surrounding architecture is more varied: block-like modern structures sit beside a darker, Gothic-inflected building on the left. This juxtaposition of architectural languages contributes to the fair’s theatrical character, as though different places and periods have been assembled within a single view.
At the bottom, the monumental scale gives way to a lively frieze of visitors. Dresses in orange, yellow, blue and green create small bursts of pattern, while the figures’ reduced forms keep the scene legible rather than crowded. A strip of water provides a cool horizontal counterweight to the tower; rippled marks and the passing boat introduce motion into an otherwise crisply constructed design. Above, lightly stylised clouds soften the broad field of blue without disturbing its sense of openness.
Typography completes the visual hierarchy. The dark-blue words “WORLD’S FAIR CHICAGO” command the upper portion, their substantial serif letterforms holding their own against the architecture below. Near the base, the yellow message “Tour the World at the Fair See Fifteen Foreign Villages” shifts from declaration to invitation. Its wording reveals how the exposition was marketed: not only as a showcase of progress, but as an opportunity to encounter an entertaining, condensed vision of the wider world.
Context and significance
Chicago’s Century of Progress exposition celebrated innovation, industry and contemporary design at a moment when optimism carried particular force. Pursell’s poster translates those themes into graphic terms: simplified silhouettes, flattened areas of colour and strong contrasts between cool blue and warm orange-yellow. The fair appears bright, ordered and forward-looking, with the central structure functioning as both an architectural feature and a visual emblem of ascent.
What makes Pursell’s design especially effective is its balance of monumentality and pleasure. The tower promises technological ambition; the crowds, water and decorative buildings promise leisure and discovery. Together they preserve the promotional language of the 1934 fair while offering a vivid example of how Art Deco design could turn architecture, lettering and colour into an image of civic confidence.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Weimer Pursell’s World’s fair – Chicago – 1934 turns the Century of Progress exposition into a brilliant vertical panorama of architecture, water and human activity. A slender white tower rises through the centre, its sharply ruled structure set against an expansive blue sky, while orange and yellow buildings gather around its base. Below, crowds in vividly patterned clothing and a small boat animate the fairground, giving the streamlined composition both scale and movement.
Created to promote the Chicago exposition as a destination, the poster belongs to an interwar culture fascinated by industry, spectacle and modern design. Pursell brought considerable commercial experience to the commission: Tennessee-born, he moved to Chicago in the late 1920s, trained at the Art Institute of Chicago and worked as both a billboard artist and magazine illustrator. Those disciplines meet here in an image designed to be understood at once, yet rich enough to reward a longer look. Its Art Deco geometry and emphatic colour present the fair not simply as an exhibition, but as a persuasive vision of the modern city.
A closer look
The composition is organised around the central tower, whose pale surfaces form a decisive contrast with the saturated sky. Its narrow, upward thrust is echoed by smaller verticals across the fairground, although the surrounding architecture is more varied: block-like modern structures sit beside a darker, Gothic-inflected building on the left. This juxtaposition of architectural languages contributes to the fair’s theatrical character, as though different places and periods have been assembled within a single view.
At the bottom, the monumental scale gives way to a lively frieze of visitors. Dresses in orange, yellow, blue and green create small bursts of pattern, while the figures’ reduced forms keep the scene legible rather than crowded. A strip of water provides a cool horizontal counterweight to the tower; rippled marks and the passing boat introduce motion into an otherwise crisply constructed design. Above, lightly stylised clouds soften the broad field of blue without disturbing its sense of openness.
Typography completes the visual hierarchy. The dark-blue words “WORLD’S FAIR CHICAGO” command the upper portion, their substantial serif letterforms holding their own against the architecture below. Near the base, the yellow message “Tour the World at the Fair See Fifteen Foreign Villages” shifts from declaration to invitation. Its wording reveals how the exposition was marketed: not only as a showcase of progress, but as an opportunity to encounter an entertaining, condensed vision of the wider world.
Context and significance
Chicago’s Century of Progress exposition celebrated innovation, industry and contemporary design at a moment when optimism carried particular force. Pursell’s poster translates those themes into graphic terms: simplified silhouettes, flattened areas of colour and strong contrasts between cool blue and warm orange-yellow. The fair appears bright, ordered and forward-looking, with the central structure functioning as both an architectural feature and a visual emblem of ascent.
What makes Pursell’s design especially effective is its balance of monumentality and pleasure. The tower promises technological ambition; the crowds, water and decorative buildings promise leisure and discovery. Together they preserve the promotional language of the 1934 fair while offering a vivid example of how Art Deco design could turn architecture, lettering and colour into an image of civic confidence.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
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Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
