Insecta Lepidoptera-Heterocera, Plate 070 by Frederick DuCane Godman, 1879
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20% di sconto su 2 — 33% di sconto su 3
Aggiungi qualsiasi due articoli idonei al tuo carrello per ricevere 20% di sconto. Aggiungi un terzo e sarà gratuito (equivalente a 33% di sconto quando acquisti tre).
Nessun codice necessario — l'offerta si applica automaticamente al checkout.
Valido su tutte le mappe standard e le stampe d'arte fine. Puoi mescolare e abbinare qualsiasi design.
Se desideri spedire articoli a più indirizzi, ti preghiamo di contattarci prima di effettuare il tuo ordine.
Le commissioni personalizzate e su misura sono escluse.
Contattaci se hai domande
Progettato a Londra • Prodotto in Canada
Progettato a Londra • Prodotto in Canada
Restaurata dall’opera originale del 1879 e stampata in qualità museale. Leggi la storia dietro quest’opera
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Frederick DuCane Godman’s Insecta Lepidoptera-Heterocera Pl. 070 (1879) captures the Victorian union of art and science at its most exacting. A leading...
Continua a leggereFrederick DuCane Godman’s Insecta Lepidoptera-Heterocera Pl. 070 (1879) captures the Victorian union of art and science at its most exacting. A leading English naturalist of the 19th century, Godman devoted his career to documenting insect life with precision and clarity. This plate presents a carefully arranged selection of moths rendered for study and classification, each specimen observed with fine attention to wing shape, venation, and pattern. Created within the golden age of natural history illustration, it reflects a moment when the visual record was central to building knowledge and naming the world’s biodiversity.
Offered here as a museum-quality fine art print, this Victorian zoological illustration is reproduced with exceptional fidelity on your choice of acid-free archival paper or artist’s cotton canvas. The clean white ground and subtle color gradations print beautifully, preserving the crisp lines and delicate tone work of the original. Available in multiple sizes, it can be ordered unframed or professionally framed; The Unique Maps Co. also offers personalization options—such as custom captions, title plates, and gift dedications—along with bespoke sizing to suit your space.
Godman (1834–1919) is celebrated for his collaborative role in one of the most ambitious natural history projects of its time, the Biologia Centrali‑Americana, produced with Osbert Salvin. His work advanced the systematic study of butterflies and moths, and his plates became indispensable references for generations of entomologists. This background lends the print scholarly weight: it is not merely decorative, but a window into the methods, rigor, and aspirations of Victorian science.
The plate itself is notable for its contribution to the expanding classification of Central American Lepidoptera during the late 19th century. Each moth is positioned to enable direct comparison—an approach designed for field identification and taxonomic clarity. The systematic numbering and spare layout speak the language of the laboratory, while the measured draftsmanship underscores the illustrator’s role as both observer and interpreter of nature.
Visually, the appeal lies in the balance of restraint and complexity. A luminous white field anchors the composition, while soft ochres, warm oranges, and touches of yellow articulate the distinctive spots, bands, and scalloped edges across the wings. Fine stippling and controlled washes convey scale patterning without sacrificing anatomical accuracy. The result is a serene, orderly tableau that reads beautifully from a distance and rewards close inspection—an ideal piece for interiors that favor natural history, mid-century modern, or crisp contemporary design.
This print makes a thoughtful gift for lepidopterists, biology teachers, collectors of Victorian ephemera, and anyone who appreciates the poetry of scientific illustration. Perfect for Christmas, birthdays, graduations, Father’s Day, Mother’s Day, housewarmings, or as a meaningful present for someone who has recently traveled to Central America, it brings historic insight and quiet elegance to the study, library, office, or living room wall.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Frederick DuCane Godman’s Insecta Lepidoptera-Heterocera Pl. 070 (1879) captures the Victorian union of art and science at its most exacting. A leading English naturalist of the 19th century, Godman devoted his career to documenting insect life with precision and clarity. This plate presents a carefully arranged selection of moths rendered for study and classification, each specimen observed with fine attention to wing shape, venation, and pattern. Created within the golden age of natural history illustration, it reflects a moment when the visual record was central to building knowledge and naming the world’s biodiversity.
Offered here as a museum-quality fine art print, this Victorian zoological illustration is reproduced with exceptional fidelity on your choice of acid-free archival paper or artist’s cotton canvas. The clean white ground and subtle color gradations print beautifully, preserving the crisp lines and delicate tone work of the original. Available in multiple sizes, it can be ordered unframed or professionally framed; The Unique Maps Co. also offers personalization options—such as custom captions, title plates, and gift dedications—along with bespoke sizing to suit your space.
Godman (1834–1919) is celebrated for his collaborative role in one of the most ambitious natural history projects of its time, the Biologia Centrali‑Americana, produced with Osbert Salvin. His work advanced the systematic study of butterflies and moths, and his plates became indispensable references for generations of entomologists. This background lends the print scholarly weight: it is not merely decorative, but a window into the methods, rigor, and aspirations of Victorian science.
The plate itself is notable for its contribution to the expanding classification of Central American Lepidoptera during the late 19th century. Each moth is positioned to enable direct comparison—an approach designed for field identification and taxonomic clarity. The systematic numbering and spare layout speak the language of the laboratory, while the measured draftsmanship underscores the illustrator’s role as both observer and interpreter of nature.
Visually, the appeal lies in the balance of restraint and complexity. A luminous white field anchors the composition, while soft ochres, warm oranges, and touches of yellow articulate the distinctive spots, bands, and scalloped edges across the wings. Fine stippling and controlled washes convey scale patterning without sacrificing anatomical accuracy. The result is a serene, orderly tableau that reads beautifully from a distance and rewards close inspection—an ideal piece for interiors that favor natural history, mid-century modern, or crisp contemporary design.
This print makes a thoughtful gift for lepidopterists, biology teachers, collectors of Victorian ephemera, and anyone who appreciates the poetry of scientific illustration. Perfect for Christmas, birthdays, graduations, Father’s Day, Mother’s Day, housewarmings, or as a meaningful present for someone who has recently traveled to Central America, it brings historic insight and quiet elegance to the study, library, office, or living room wall.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
Se non sei soddisfatto del tuo ordine per qualsiasi motivo, contattami per un rimborso senza problemi. Si prega di consultare la nostra politica di reso e rimborso per ulteriori informazioni.
Sono molto sicuro che ti piacerà la tua mappa restaurata o la stampa d'arte. Lo faccio dal 1984. Sono un venditore Etsy a 5 stelle. Ho venduto decine di migliaia di mappe e stampe d'arte e ho oltre 5.000 recensioni reali a 5 stelle.
Utilizzo un processo unico per restaurare mappe e opere d'arte che richiede molto tempo e lavoro. Trovare le mappe e le illustrazioni originali può richiedere mesi. Utilizzo tecnologia all'avanguardia e incredibilmente costosa per scannerizzare e restaurarle. Di conseguenza, garantisco che le mie mappe e stampe d'arte siano superiori alle altre - ecco perché posso offrire un rimborso senza problemi.
Quasi tutte le mie mappe e stampe d'arte sembrano fantastiche a grandi dimensioni (200 cm, 6,5 piedi+) e posso anche incorniciarle e consegnarle a te, tramite un corriere speciale per oggetti di grandi dimensioni. Contattami per discutere delle tue esigenze specifiche.
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ci scusiamo per l'inconveniente.
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Frederick DuCane Godman’s Insecta Lepidoptera-Heterocera Pl. 070 (1879) captures the Victorian union of art and science at its most exacting. A leading English naturalist of the 19th century, Godman devoted his career to documenting insect life with precision and clarity. This plate presents a carefully arranged selection of moths rendered for study and classification, each specimen observed with fine attention to wing shape, venation, and pattern. Created within the golden age of natural history illustration, it reflects a moment when the visual record was central to building knowledge and naming the world’s biodiversity.
Offered here as a museum-quality fine art print, this Victorian zoological illustration is reproduced with exceptional fidelity on your choice of acid-free archival paper or artist’s cotton canvas. The clean white ground and subtle color gradations print beautifully, preserving the crisp lines and delicate tone work of the original. Available in multiple sizes, it can be ordered unframed or professionally framed; The Unique Maps Co. also offers personalization options—such as custom captions, title plates, and gift dedications—along with bespoke sizing to suit your space.
Godman (1834–1919) is celebrated for his collaborative role in one of the most ambitious natural history projects of its time, the Biologia Centrali‑Americana, produced with Osbert Salvin. His work advanced the systematic study of butterflies and moths, and his plates became indispensable references for generations of entomologists. This background lends the print scholarly weight: it is not merely decorative, but a window into the methods, rigor, and aspirations of Victorian science.
The plate itself is notable for its contribution to the expanding classification of Central American Lepidoptera during the late 19th century. Each moth is positioned to enable direct comparison—an approach designed for field identification and taxonomic clarity. The systematic numbering and spare layout speak the language of the laboratory, while the measured draftsmanship underscores the illustrator’s role as both observer and interpreter of nature.
Visually, the appeal lies in the balance of restraint and complexity. A luminous white field anchors the composition, while soft ochres, warm oranges, and touches of yellow articulate the distinctive spots, bands, and scalloped edges across the wings. Fine stippling and controlled washes convey scale patterning without sacrificing anatomical accuracy. The result is a serene, orderly tableau that reads beautifully from a distance and rewards close inspection—an ideal piece for interiors that favor natural history, mid-century modern, or crisp contemporary design.
This print makes a thoughtful gift for lepidopterists, biology teachers, collectors of Victorian ephemera, and anyone who appreciates the poetry of scientific illustration. Perfect for Christmas, birthdays, graduations, Father’s Day, Mother’s Day, housewarmings, or as a meaningful present for someone who has recently traveled to Central America, it brings historic insight and quiet elegance to the study, library, office, or living room wall.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

