Kinia Raffard Vintage Aperitif Poster by Jules Chéret, 1888
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1888 e stampata in qualità museale. Descrizione completa
L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in Canada
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1888 e stampata in qualità museale. Descrizione completa
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Scegli la finitura
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Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
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Jules Chéret’s Kinia Raffard,Amer Toni-Aperitif (1888) turns the simple act of pouring a drink into a piece of theatrical display. A woman...
Continua a leggereJules Chéret’s Kinia Raffard,Amer Toni-Aperitif (1888) turns the simple act of pouring a drink into a piece of theatrical display. A woman in a brilliant red dress raises the bottle above a waiting glass, her sweeping silhouette set against a cool, pale-blue ground. Around her, the name “KINIA RAFFARD” expands across the upper field in emphatic lettering, while the darker words “AMER TONI-APÉRITIF” anchor the lower part of the composition. Figure, product and typography compete energetically for attention, yet remain legible at a glance.
Chéret, often called the “father of the modern poster”, helped transform late nineteenth-century commercial lithography into a vivid form of urban visual culture. His posters were designed to register amid the movement and distractions of the street, using strong colour, animated figures and expressive lettering rather than dense explanatory copy. This 1888 advertisement belongs to that emerging language of modern graphic design: the aperitif is presented not simply as a beverage, but through an atmosphere of fashion, sociability and spirited performance.
A closer look
The woman’s dress supplies the poster’s most forceful passage of colour. Its saturated red is modelled with darker folds and sharp highlights, giving the skirt a sense of movement even as the figure pauses to pour. Her pose creates a compact sequence of gestures: one arm controls the tilted bottle, the other steadies the glass, and the diagonal stream implied between them focuses attention on the product itself. Delicate lines around the left side of the figure add further animation, preventing her silhouette from appearing static against the open background.
Chéret builds the design around contrasts of temperature and weight. The blue field is airy and recessive, allowing the warm red costume and skin tones to project forward, while the black lettering gives the composition visual ballast. At the top, “KINIA RAFFARD” has a bold, slightly dimensional treatment; below, “AMER TONI-APÉRITIF” is more compact and declarative. The alternating scale of these words establishes a clear hierarchy: brand first, product second, manufacturer last.
That final information appears in much smaller type along the lower edge: “J. Raffard Seul Fabricant à Ste MAURE (Indre & Loire)”. It is an easily missed but revealing detail. The exuberant figure captures attention from a distance, while the practical commercial message rewards closer inspection. Small touches—the glint of the glass, the indistinct label on the bottle, the fine treatment of the woman’s hair and neckline—bring polish to an otherwise broad and immediately readable design.
Context and significance
In fin-de-siècle France, the poster was becoming an integral part of the modern streetscape, combining advertising with increasingly ambitious colour and composition. Chéret was central to that development. His graceful, active female figures differed markedly from static product displays: they made commodities appear part of a lively contemporary world, while broad areas of colour and fluid contours allowed the message to be understood quickly.
Kinia Raffard,Amer Toni-Aperitif (1888) demonstrates how effectively Chéret balanced commerce and spectacle. The bottle and glass remain essential, but the poster’s lasting interest lies in the choreography around them—the raised arm, swirling red fabric, cool expanse of blue and insistent blocks of lettering. It is at once an advertisement for an aperitif and a concise lesson in how modern publicity learned to command the eye.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Jules Chéret’s Kinia Raffard,Amer Toni-Aperitif (1888) turns the simple act of pouring a drink into a piece of theatrical display. A woman in a brilliant red dress raises the bottle above a waiting glass, her sweeping silhouette set against a cool, pale-blue ground. Around her, the name “KINIA RAFFARD” expands across the upper field in emphatic lettering, while the darker words “AMER TONI-APÉRITIF” anchor the lower part of the composition. Figure, product and typography compete energetically for attention, yet remain legible at a glance.
Chéret, often called the “father of the modern poster”, helped transform late nineteenth-century commercial lithography into a vivid form of urban visual culture. His posters were designed to register amid the movement and distractions of the street, using strong colour, animated figures and expressive lettering rather than dense explanatory copy. This 1888 advertisement belongs to that emerging language of modern graphic design: the aperitif is presented not simply as a beverage, but through an atmosphere of fashion, sociability and spirited performance.
A closer look
The woman’s dress supplies the poster’s most forceful passage of colour. Its saturated red is modelled with darker folds and sharp highlights, giving the skirt a sense of movement even as the figure pauses to pour. Her pose creates a compact sequence of gestures: one arm controls the tilted bottle, the other steadies the glass, and the diagonal stream implied between them focuses attention on the product itself. Delicate lines around the left side of the figure add further animation, preventing her silhouette from appearing static against the open background.
Chéret builds the design around contrasts of temperature and weight. The blue field is airy and recessive, allowing the warm red costume and skin tones to project forward, while the black lettering gives the composition visual ballast. At the top, “KINIA RAFFARD” has a bold, slightly dimensional treatment; below, “AMER TONI-APÉRITIF” is more compact and declarative. The alternating scale of these words establishes a clear hierarchy: brand first, product second, manufacturer last.
That final information appears in much smaller type along the lower edge: “J. Raffard Seul Fabricant à Ste MAURE (Indre & Loire)”. It is an easily missed but revealing detail. The exuberant figure captures attention from a distance, while the practical commercial message rewards closer inspection. Small touches—the glint of the glass, the indistinct label on the bottle, the fine treatment of the woman’s hair and neckline—bring polish to an otherwise broad and immediately readable design.
Context and significance
In fin-de-siècle France, the poster was becoming an integral part of the modern streetscape, combining advertising with increasingly ambitious colour and composition. Chéret was central to that development. His graceful, active female figures differed markedly from static product displays: they made commodities appear part of a lively contemporary world, while broad areas of colour and fluid contours allowed the message to be understood quickly.
Kinia Raffard,Amer Toni-Aperitif (1888) demonstrates how effectively Chéret balanced commerce and spectacle. The bottle and glass remain essential, but the poster’s lasting interest lies in the choreography around them—the raised arm, swirling red fabric, cool expanse of blue and insistent blocks of lettering. It is at once an advertisement for an aperitif and a concise lesson in how modern publicity learned to command the eye.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
