Lake Lucerne Travel Poster by Anton Reckziegel, 1905

4.9 (84 recensioni)
Stampato e incorniciato in Canada
Consegna gratuita in 2–3 giorni
Resi entro 90 giorni · Garanzia di 10 anni
4.8/5 Eccellente
Opera dell’artista originale Mai generata dall’IA
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Restaurata nel nostro laboratorio dall’opera originale del 1905 e stampata in qualità museale. Descrizione completa
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Anton Reckziegel’s 1905 travel poster Vierwaldstättersee – Luzern presents Lake Lucerne as a grand meeting of water, settlement and Alpine terrain. The...

Anton Reckziegel’s 1905 travel poster Vierwaldstättersee – Luzern presents Lake Lucerne as a grand meeting of water, settlement and Alpine terrain. The lake’s saturated blue forms the composition’s central channel, curving between vivid green hills towards a succession of rocky, snow-touched peaks. Along the shore, clusters of small, earth-toned buildings give human scale to the landscape, while the vertical format heightens the mountains’ ascent above the water.

Reckziegel was trained as a landscape painter at the Academy of Graz before working in Vienna and Switzerland, and that background is evident in the poster’s combination of expansive scenery and carefully managed atmosphere. Created during the flourishing era of railway and lake tourism, it belongs to a visual culture in which posters offered travellers not simply a destination but a persuasive idea of the journey: ordered, accessible and filled with scenic incident. Lake Lucerne, with its branching waters and encircling Alps, was particularly well suited to such promotion.

A closer look

The view is built in distinct layers. A lakeside village occupies the lower portion, its crisply edged roofs and façades gathered close to the water. Beyond it, the lake opens into a broad blue passage marked by delicate ripples and reflections. Small craft appear against this expanse; their diminutive scale emphasises the reach of the water and the mass of the surrounding land. Red route-like lines introduce a further graphic element, connecting the picturesque panorama to the practical language of travel.

Above the lake, wooded slopes rise in changing greens before giving way to more rugged mountains. Fine, jagged marks articulate the rock faces, while alternating bands of illumination and shadow create a strong impression of volume. The highest peaks catch the brightest light, sharpening their silhouettes against the pale sky. Reckziegel balances these descriptive details with broad, simplified areas of colour: deep blue water, fresh green vegetation and warm brown stone remain immediately legible even within the densely arranged scene.

Typography is integral to the design rather than an afterthought. “VIERWALDSTÄTTER-SEE” is placed prominently across the upper section, its emphatic lettering announcing the wider lake region above the mountain panorama. “Luzern” anchors the lower centre in a large, direct script. This separation establishes a clear hierarchy between landscape and destination, while the smaller lettering near the lower edge evokes the network of towns and connections around the lake.

Context and significance

Early twentieth-century tourism posters had to perform several tasks at once: attract attention in a public setting, identify a place quickly and condense its appeal into a memorable visual proposition. Reckziegel’s design achieves this by combining the observational habits of landscape painting with the clarity of commercial graphic art. The scenery retains topographical richness, yet its contours, colours and lettering are organised for immediate impact.

The result is both panorama and travel diagram. Mountains, boats, settlements and connecting lines present Lake Lucerne as a landscape to be traversed rather than merely contemplated. Its lasting fascination lies in that dual character: the Alps remain imposing and atmospheric, but the orderly shores, active water and assertive lettering make the region appear invitingly within reach.

Choosing the right size and finish

Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.

If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.

The model in the listing images is holding the 24x36in (60x90cm) version of this art print.

Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.

Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.

Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.

Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.

Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.

This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.

Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.

Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.

Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.

  • Possiamo consegnare direttamente al destinatario
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Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.

Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 10-year guarantee.

Read our full delivery and local production guide

Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.

We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.

Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.

Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.

All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.

If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.

Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.

Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.

  • Dimensioni precise, extra-large e su misura
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Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.

Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.

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