On the Promenade by August Macke, 1913
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1913 e stampata in qualità museale. Descrizione completa
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Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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Restaurato a Londra • Stampato e incorniciato in Canada
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1913 e stampata in qualità museale. Descrizione completa
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August Macke’s Auf der Promenade (On the Promenade), painted in 1913, turns an ordinary scene of urban leisure into a compact rhythm...
Continua a leggereAugust Macke’s Auf der Promenade (On the Promenade), painted in 1913, turns an ordinary scene of urban leisure into a compact rhythm of figures, hats and overlapping silhouettes. Rather than describing the street in precise architectural detail, Macke concentrates on the human flow within it. A seated, darkly outlined figure anchors the central foreground, while the forms around this still presence seem to pass, gather and dissolve into the warm brown atmosphere.
Macke was a leading member of Der Blaue Reiter, the Munich-based association that became one of the principal forces in German Expressionism. His interpretation of modernity was notably convivial: promenades, shop windows, gardens and fashionably dressed pedestrians provided him with subjects through which colour and simplified form could register the tempo of contemporary life. Created during the intensely productive final phase of his short career, Auf der Promenade belongs to this sustained examination of public space—not as documentary reportage, but as an arrangement of movement, light and sociability.
A closer look
The composition is asymmetrical and densely worked through the middle, where figures occupy the promenade at different apparent distances. Their individuality is conveyed economically. Variations in the tilt and shape of hats distinguish one person from another, while fluid black contours give bodies direction without fixing them into rigid outlines. The resulting balance is curious and effective: the scene feels busy, yet its pedestrians remain poised and self-contained.
Compared with the brilliant colour for which Macke is often known, the palette here is unusually restrained. Earthy umbers and warm beige tones are set against near-black lines, with lighter passages breaking through like reflected daylight. A pale area near the centre opens a pocket of depth among the darker forms, while soft tonal transitions allow background figures to merge with their surroundings. The street is therefore suggested less through conventional perspective than through overlapping bodies, changing scale and alternating areas of light and shade.
Small organic motifs temper the geometry of the crowd. At the lower left, pale, flowing shapes resemble foliage, while a softer floral or leafy form appears near the right edge. A horizontal line across the lower portion may suggest a ledge or the division of a pathway. These peripheral details gently frame the human activity, setting curved natural forms against the repeated verticals and dark accents of the figures.
Context and significance
Der Blaue Reiter brought together artists who rejected strictly naturalistic representation in favour of more expressive relationships between colour, line and form. Macke shared that freedom while retaining a clarity and decorative order distinctly his own. In his street scenes, people are frequently treated as components within a larger visual pattern: clothing becomes a plane of colour, hats become repeated motifs, and the crowd becomes a structure through which the eye travels.
Auf der Promenade demonstrates how subtly Macke could apply those ideas. Its subject is recognisably modern, but no anecdote dominates; the interest lies in the spacing of bodies, the alternation of stillness and motion, and the way a public scene is compressed into an almost abstract design. The seated figure provides a quiet centre, while the surrounding silhouettes preserve the fleeting, anonymous character of life observed in passing.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
August Macke’s Auf der Promenade (On the Promenade), painted in 1913, turns an ordinary scene of urban leisure into a compact rhythm of figures, hats and overlapping silhouettes. Rather than describing the street in precise architectural detail, Macke concentrates on the human flow within it. A seated, darkly outlined figure anchors the central foreground, while the forms around this still presence seem to pass, gather and dissolve into the warm brown atmosphere.
Macke was a leading member of Der Blaue Reiter, the Munich-based association that became one of the principal forces in German Expressionism. His interpretation of modernity was notably convivial: promenades, shop windows, gardens and fashionably dressed pedestrians provided him with subjects through which colour and simplified form could register the tempo of contemporary life. Created during the intensely productive final phase of his short career, Auf der Promenade belongs to this sustained examination of public space—not as documentary reportage, but as an arrangement of movement, light and sociability.
A closer look
The composition is asymmetrical and densely worked through the middle, where figures occupy the promenade at different apparent distances. Their individuality is conveyed economically. Variations in the tilt and shape of hats distinguish one person from another, while fluid black contours give bodies direction without fixing them into rigid outlines. The resulting balance is curious and effective: the scene feels busy, yet its pedestrians remain poised and self-contained.
Compared with the brilliant colour for which Macke is often known, the palette here is unusually restrained. Earthy umbers and warm beige tones are set against near-black lines, with lighter passages breaking through like reflected daylight. A pale area near the centre opens a pocket of depth among the darker forms, while soft tonal transitions allow background figures to merge with their surroundings. The street is therefore suggested less through conventional perspective than through overlapping bodies, changing scale and alternating areas of light and shade.
Small organic motifs temper the geometry of the crowd. At the lower left, pale, flowing shapes resemble foliage, while a softer floral or leafy form appears near the right edge. A horizontal line across the lower portion may suggest a ledge or the division of a pathway. These peripheral details gently frame the human activity, setting curved natural forms against the repeated verticals and dark accents of the figures.
Context and significance
Der Blaue Reiter brought together artists who rejected strictly naturalistic representation in favour of more expressive relationships between colour, line and form. Macke shared that freedom while retaining a clarity and decorative order distinctly his own. In his street scenes, people are frequently treated as components within a larger visual pattern: clothing becomes a plane of colour, hats become repeated motifs, and the crowd becomes a structure through which the eye travels.
Auf der Promenade demonstrates how subtly Macke could apply those ideas. Its subject is recognisably modern, but no anecdote dominates; the interest lies in the spacing of bodies, the alternation of stillness and motion, and the way a public scene is compressed into an almost abstract design. The seated figure provides a quiet centre, while the surrounding silhouettes preserve the fleeting, anonymous character of life observed in passing.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
