USA Travel Poster: See America by Frank S. Nicholson, 1936
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Consegna natalizia & regali
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Aggiungi un messaggio regalo al carrello, quindi inserisci l’indirizzo di consegna del destinatario al checkout. Stamperemo il tuo messaggio su un biglietto. Nel pacco non sono inclusi prezzi.
Tempi di consegna
La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
L’offerta del collezionista
Scegli due opere idonee e ricevi il 25% di sconto su entrambe. Puoi abbinare liberamente mappe e opere d’arte.
Non è richiesto alcun codice. L’offerta viene applicata automaticamente.
Termini e condizioni completi
L’offerta del collezionista si applica alle opere idonee nelle configurazioni standard realizzate su ordinazione. Sono esclusi i formati su misura, i design personalizzati e i lavori su commissione. I prodotti con “personalised” o “custom” nel nome sono generalmente esclusi.
L’offerta è gestita come due sconti automatici separati: uno per i formati più piccoli e uno per i formati più grandi. Per averne diritto, è necessario acquistare due opere idonee all’interno dello stesso gruppo di formato. Mappe e stampe d’arte possono essere abbinate liberamente all’interno di ciascun gruppo.
Ad esempio, due stampe idonee in formato A4 o 8 × 10 in danno diritto al 25% di sconto su entrambe. Una stampa di formato più piccolo e un’opera di formato più grande non danno diritto allo sconto se acquistate insieme, poiché gli articoli di gruppi di formato diversi non possono essere combinati per soddisfare il requisito dei due articoli.
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If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
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You can also contact us before you order, if you prefer!
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Invialo direttamente al destinatario
Aggiungi un messaggio regalo al carrello, quindi inserisci l’indirizzo di consegna del destinatario al checkout. Stamperemo il tuo messaggio su un biglietto. Nel pacco non sono inclusi prezzi.
Tempi di consegna
La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
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Frank S. Nicholson’s 1936 poster See America turns a monumental rock arch into an emphatic invitation to travel. Rising through the upper...
Continua a leggereFrank S. Nicholson’s 1936 poster See America turns a monumental rock arch into an emphatic invitation to travel. Rising through the upper half of the composition, the warm brown formation frames a cool blue sky while two riders on horseback appear diminutive below. Their scale transforms the landscape into something vast yet traversable: a place of open paths, distant mountains and natural spectacles waiting beyond the familiar.
Created during the interwar flowering of American travel advertising, Nicholson’s design belongs to an era in which posters promoted nationwide mobility by road, railway and rail-connected resort routes. Rather than identify a single destination, See America presents the country itself as the attraction. Its message is broad, optimistic and direct, reflecting the expanding culture of modern leisure in the 1930s. The streamlined forms, strong colour blocking and assertive sans-serif lettering also place it firmly within the period’s Art Deco-inflected graphic language.
A closer look
The arch dominates the scene not only through its size but through its carefully simplified construction. Broad planes of rust brown and deeper shadow give the rock weight, while subtle tonal shifts suggest the irregularity of its surface without sacrificing graphic clarity. Seen against the pale transition of the sky—from blue towards warmer beige—the opening in the stone becomes an immense natural window. Beyond it, low mountain forms recede in restrained earth tones, their ridges indicated with only a few economical lines.
At ground level, the poster’s scale changes dramatically. Two mounted figures occupy the lower centre, distinct enough to register as travellers but deliberately spare in detail. A pale, gently undulating route appears to lead towards them, drawing the eye into the landscape and reinforcing the idea of onward movement. On the lower right, a compact tree with rounded, soft green foliage provides a small counterweight to the enormous mass of rock. Its organic outline also interrupts the angular cliffs and layered mountain silhouettes.
The typography completes the visual argument. “SEE AMERICA” appears in bold capitals across the lower section, its plain, forceful letterforms delivering the message with the economy of a command. Beneath it, “UNITED STATES TRAVEL BUREAU” establishes a clear institutional presence while remaining subordinate to the principal slogan. Landscape and lettering are treated as parts of the same design: both are simplified, crisply bounded and arranged for immediate recognition.
Context and significance
Travel posters of the 1930s had to do more than record scenery. They condensed destinations into memorable visual propositions, using dramatic viewpoints, reduced forms and vivid contrasts to turn geography into aspiration. Nicholson’s poster does this without crowded incident or extensive information. The riders provide a human point of entry, but the real protagonist is the scale of the American terrain, presented as accessible through the modern networks of tourism and transport.
What gives See America its enduring graphic force is the balance between grandeur and restraint. The rugged arch is made monumental through a limited palette and a few decisive shapes; the travellers are barely more than silhouettes, yet their presence gives the entire landscape measure. Even without naming a particular place, Nicholson constructs a persuasive vision of America as a succession of extraordinary landscapes—and travel as the means of discovering them.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Frank S. Nicholson’s 1936 poster See America turns a monumental rock arch into an emphatic invitation to travel. Rising through the upper half of the composition, the warm brown formation frames a cool blue sky while two riders on horseback appear diminutive below. Their scale transforms the landscape into something vast yet traversable: a place of open paths, distant mountains and natural spectacles waiting beyond the familiar.
Created during the interwar flowering of American travel advertising, Nicholson’s design belongs to an era in which posters promoted nationwide mobility by road, railway and rail-connected resort routes. Rather than identify a single destination, See America presents the country itself as the attraction. Its message is broad, optimistic and direct, reflecting the expanding culture of modern leisure in the 1930s. The streamlined forms, strong colour blocking and assertive sans-serif lettering also place it firmly within the period’s Art Deco-inflected graphic language.
A closer look
The arch dominates the scene not only through its size but through its carefully simplified construction. Broad planes of rust brown and deeper shadow give the rock weight, while subtle tonal shifts suggest the irregularity of its surface without sacrificing graphic clarity. Seen against the pale transition of the sky—from blue towards warmer beige—the opening in the stone becomes an immense natural window. Beyond it, low mountain forms recede in restrained earth tones, their ridges indicated with only a few economical lines.
At ground level, the poster’s scale changes dramatically. Two mounted figures occupy the lower centre, distinct enough to register as travellers but deliberately spare in detail. A pale, gently undulating route appears to lead towards them, drawing the eye into the landscape and reinforcing the idea of onward movement. On the lower right, a compact tree with rounded, soft green foliage provides a small counterweight to the enormous mass of rock. Its organic outline also interrupts the angular cliffs and layered mountain silhouettes.
The typography completes the visual argument. “SEE AMERICA” appears in bold capitals across the lower section, its plain, forceful letterforms delivering the message with the economy of a command. Beneath it, “UNITED STATES TRAVEL BUREAU” establishes a clear institutional presence while remaining subordinate to the principal slogan. Landscape and lettering are treated as parts of the same design: both are simplified, crisply bounded and arranged for immediate recognition.
Context and significance
Travel posters of the 1930s had to do more than record scenery. They condensed destinations into memorable visual propositions, using dramatic viewpoints, reduced forms and vivid contrasts to turn geography into aspiration. Nicholson’s poster does this without crowded incident or extensive information. The riders provide a human point of entry, but the real protagonist is the scale of the American terrain, presented as accessible through the modern networks of tourism and transport.
What gives See America its enduring graphic force is the balance between grandeur and restraint. The rugged arch is made monumental through a limited palette and a few decisive shapes; the travellers are barely more than silhouettes, yet their presence gives the entire landscape measure. Even without naming a particular place, Nicholson constructs a persuasive vision of America as a succession of extraordinary landscapes—and travel as the means of discovering them.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
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- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
