Elixir d’Anvers Vintage Liqueur Poster by Gérard Portielje, 1913
Authentic artwork
The artwork we print is faithfully restored from the original source - usually a museum, auction house or private collection.
We never replace, redraw or invent the artist’s work using generative AI.
Restored in our London workshop from the original 1913 artwork and printed to museum-grade archival standards. Full description
The Collector’s Offer
Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.The Collector’s Offer
Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.
Restored in London • Printed and framed in Canada
Authentic artwork
The artwork we print is faithfully restored from the original source - usually a museum, auction house or private collection.
We never replace, redraw or invent the artist’s work using generative AI.
Restored from the original 1913 artwork and printed to museum-grade archival standards. Full description
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Gift message & custom finish

If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
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After we make your map, we’ll email your design proof. Nothing is printed until you approve it, and you can request changes first.
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Gérard Portielje’s Elixir d’Anvers, created in 1913, turns an advertisement for the Belgian herbal liqueur into a compact theatrical scene. A smiling...
Continue readingGérard Portielje’s Elixir d’Anvers, created in 1913, turns an advertisement for the Belgian herbal liqueur into a compact theatrical scene. A smiling young woman raises a glass of golden-yellow cordial while presenting the labelled bottle in her other hand. Set against a muted beige ground, her blue dress, crisp white apron and warm red accents give the vertically arranged poster an immediate clarity. The gesture is convivial but carefully composed: face, glass and bottle form a visual sequence that carries the eye through both character and brand.
Portielje was a Belgian artist known for genre scenes—images of everyday social life treated with warmth, polish and a sense of performance. Those qualities translate naturally into this commercial commission. Rather than allowing the product to stand alone, he gives it a persuasive human presence, associating the drink with hospitality, refinement and good humour. The poster belongs to a period when advertising imagery was becoming increasingly adept at shaping consumer taste through memorable figures, emphatic lettering and recognisable packages.
A closer look
The woman is placed slightly away from the centre, creating an asymmetry that prevents the pose from feeling static. Her raised hand brings the small glass into a bright area near her face, where light catches the pale amber liquid. Below, the bottle occupies a more substantial block of colour and detail. Its decorative label is sufficiently prominent to function almost as a second piece of typography within the composition, ensuring that the object remains legible even beside the animated figure.
Portielje enriches the promotional clarity with details borrowed from portraiture and costume painting. Black accents sharpen the blue of the dress, while the apron’s lace-edged trim introduces a finer, more intricate texture. A string of pearls at the neck adds a note of elegance; nearby, a vivid red rose provides a small but concentrated burst of colour. These touches temper the practical associations of the apron with a more decorative, socially polished appearance.
Across the upper part of the poster, the bold words “ELIXIR D’ANVERS” establish the graphic hierarchy at once. The lettering balances the figure without competing with her expression, while the relatively shallow background keeps every element close to the picture plane. Warm yellow, soft red and beige are offset by cooler blue and green notes, giving the design both cordiality and visual definition. Even the light shadow cast by the hand against the bottle helps bind gesture and product together.
Context and significance
Early twentieth-century beverage posters often depended upon rapid recognition: a name had to register immediately, while a figure, colour scheme or gesture supplied the emotional appeal. Elixir d’Anvers demonstrates that economy particularly well. The brand name is unmistakable, yet the woman’s open smile and raised glass make the commercial message feel like a social exchange rather than a bare announcement.
The result sits convincingly between Portielje’s genre-painting sensibility and the direct language of advertising. Its appeal lies in that balance: a precisely organised sales image enlivened by costume, expression and small decorative flourishes. More than a period beverage advertisement, it offers a revealing glimpse of how commercial art in 1913 borrowed the warmth and narrative charm of figurative painting to make a product memorable.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Gérard Portielje’s Elixir d’Anvers, created in 1913, turns an advertisement for the Belgian herbal liqueur into a compact theatrical scene. A smiling young woman raises a glass of golden-yellow cordial while presenting the labelled bottle in her other hand. Set against a muted beige ground, her blue dress, crisp white apron and warm red accents give the vertically arranged poster an immediate clarity. The gesture is convivial but carefully composed: face, glass and bottle form a visual sequence that carries the eye through both character and brand.
Portielje was a Belgian artist known for genre scenes—images of everyday social life treated with warmth, polish and a sense of performance. Those qualities translate naturally into this commercial commission. Rather than allowing the product to stand alone, he gives it a persuasive human presence, associating the drink with hospitality, refinement and good humour. The poster belongs to a period when advertising imagery was becoming increasingly adept at shaping consumer taste through memorable figures, emphatic lettering and recognisable packages.
A closer look
The woman is placed slightly away from the centre, creating an asymmetry that prevents the pose from feeling static. Her raised hand brings the small glass into a bright area near her face, where light catches the pale amber liquid. Below, the bottle occupies a more substantial block of colour and detail. Its decorative label is sufficiently prominent to function almost as a second piece of typography within the composition, ensuring that the object remains legible even beside the animated figure.
Portielje enriches the promotional clarity with details borrowed from portraiture and costume painting. Black accents sharpen the blue of the dress, while the apron’s lace-edged trim introduces a finer, more intricate texture. A string of pearls at the neck adds a note of elegance; nearby, a vivid red rose provides a small but concentrated burst of colour. These touches temper the practical associations of the apron with a more decorative, socially polished appearance.
Across the upper part of the poster, the bold words “ELIXIR D’ANVERS” establish the graphic hierarchy at once. The lettering balances the figure without competing with her expression, while the relatively shallow background keeps every element close to the picture plane. Warm yellow, soft red and beige are offset by cooler blue and green notes, giving the design both cordiality and visual definition. Even the light shadow cast by the hand against the bottle helps bind gesture and product together.
Context and significance
Early twentieth-century beverage posters often depended upon rapid recognition: a name had to register immediately, while a figure, colour scheme or gesture supplied the emotional appeal. Elixir d’Anvers demonstrates that economy particularly well. The brand name is unmistakable, yet the woman’s open smile and raised glass make the commercial message feel like a social exchange rather than a bare announcement.
The result sits convincingly between Portielje’s genre-painting sensibility and the direct language of advertising. Its appeal lies in that balance: a precisely organised sales image enlivened by costume, expression and small decorative flourishes. More than a period beverage advertisement, it offers a revealing glimpse of how commercial art in 1913 borrowed the warmth and narrative charm of figurative painting to make a product memorable.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 24 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
We work with interior designers, hospitality businesses, property professionals, offices and corporate buyers on individual pieces and larger coordinated projects.
This artwork can be adapted for a particular wall, room or project, and our workshop can help coordinate the dimensions, material and framing before production.
- Exact, oversized and made-to-measure dimensions
- Custom framing, mounting and alternative materials
- Coordinated pieces for several rooms or locations
- Art personalisation, to adjust the colour and style of the piece
- Art and framing guidance from our workshop
- Local production for projects around the world
Every restored art print begins with the original artist’s work—never an AI-generated replacement.
Our London studio works from carefully selected source material from museums, libraries, archives and private collections. We restore age-related damage, faded colour and imperfect reproduction while preserving the artist’s composition, brushwork, line, texture and period character.
We do not use generative AI to redraw, reinterpret or invent the artwork. Digital restoration is used only to recover and reproduce the original work as faithfully as possible.
Once restored, the master artwork is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our giclée art prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks for a rich, museum-quality finish. Framed art prints use crystal-clear optical acrylic and arrive ready to hang.
Framed canvas and specialist cotton-rag editions are also available. Learn more about our materials and finishes.
We’ve been restoring and producing maps and art prints since 1984, and we stand behind every piece.
Every order is covered by our 10-year guarantee and damage-free delivery guarantee. If your piece arrives damaged, we’ll replace or remake it free of charge. If anything else isn’t right, contact our workshop team and we’ll put it right promptly.
See our returns and refund policy for full details.
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Gérard Portielje’s Elixir d’Anvers, created in 1913, turns an advertisement for the Belgian herbal liqueur into a compact theatrical scene. A smiling young woman raises a glass of golden-yellow cordial while presenting the labelled bottle in her other hand. Set against a muted beige ground, her blue dress, crisp white apron and warm red accents give the vertically arranged poster an immediate clarity. The gesture is convivial but carefully composed: face, glass and bottle form a visual sequence that carries the eye through both character and brand.
Portielje was a Belgian artist known for genre scenes—images of everyday social life treated with warmth, polish and a sense of performance. Those qualities translate naturally into this commercial commission. Rather than allowing the product to stand alone, he gives it a persuasive human presence, associating the drink with hospitality, refinement and good humour. The poster belongs to a period when advertising imagery was becoming increasingly adept at shaping consumer taste through memorable figures, emphatic lettering and recognisable packages.
A closer look
The woman is placed slightly away from the centre, creating an asymmetry that prevents the pose from feeling static. Her raised hand brings the small glass into a bright area near her face, where light catches the pale amber liquid. Below, the bottle occupies a more substantial block of colour and detail. Its decorative label is sufficiently prominent to function almost as a second piece of typography within the composition, ensuring that the object remains legible even beside the animated figure.
Portielje enriches the promotional clarity with details borrowed from portraiture and costume painting. Black accents sharpen the blue of the dress, while the apron’s lace-edged trim introduces a finer, more intricate texture. A string of pearls at the neck adds a note of elegance; nearby, a vivid red rose provides a small but concentrated burst of colour. These touches temper the practical associations of the apron with a more decorative, socially polished appearance.
Across the upper part of the poster, the bold words “ELIXIR D’ANVERS” establish the graphic hierarchy at once. The lettering balances the figure without competing with her expression, while the relatively shallow background keeps every element close to the picture plane. Warm yellow, soft red and beige are offset by cooler blue and green notes, giving the design both cordiality and visual definition. Even the light shadow cast by the hand against the bottle helps bind gesture and product together.
Context and significance
Early twentieth-century beverage posters often depended upon rapid recognition: a name had to register immediately, while a figure, colour scheme or gesture supplied the emotional appeal. Elixir d’Anvers demonstrates that economy particularly well. The brand name is unmistakable, yet the woman’s open smile and raised glass make the commercial message feel like a social exchange rather than a bare announcement.
The result sits convincingly between Portielje’s genre-painting sensibility and the direct language of advertising. Its appeal lies in that balance: a precisely organised sales image enlivened by costume, expression and small decorative flourishes. More than a period beverage advertisement, it offers a revealing glimpse of how commercial art in 1913 borrowed the warmth and narrative charm of figurative painting to make a product memorable.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.