Rare Old Birdseye Map of Stockholm by Aveline 1700: Gamla Stan, Royal Palace, Riddarholmen, Slussen, Skeppsholmen
20% off 2 — 33% off 3
Add any two eligible items to your bag to receive 20% off. Add a third and it will be complimentary (equivalent to 33% off when purchasing three).
No code needed — the offer applies automatically at checkout.
Valid on all standard maps and fine art prints. You can mix and match any designs.
If you’d like to ship items to multiple addresses, please contact us before placing your order.
Custom and bespoke commissions are excluded.
Contact us if you have any questions
20% off 2 — 33% off 3
Add any two eligible items to your bag to receive 20% off. Add a third and it will be complimentary (equivalent to 33% off when purchasing three).
No code needed — the offer applies automatically at checkout.
Valid on all standard maps and fine art prints. You can mix and match any designs.
If you’d like to ship items to multiple addresses, please contact us before placing your order.
Custom and bespoke commissions are excluded.
Contact us if you have any questions
Choose your size
➢ Pick the closest size that's larger than your custom size
➢ Type the exact size in millimetres
➢ Add to bag and checkout as normal
Framing
(More info)
Gift message & custom finish

If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!

- Made locally for fast, safe delivery
- Free worldwide delivery, with no import duty surprises
- 90-day returns and 5-year guarantee
- Need advice? Message us on WhatsApp
Own a piece of history
7,000+ 5 star reviews
Stockholm Ville Capitale du Royaume de Suede is a striking bird’s-eye portrait of the Swedish capital at the turn of the 18th century, rendered with theatrical clarity at the height of Sweden’s great-power era. Aveline sets the city amid its glittering archipelago, the channels of Norrström tying Lake Mälaren to the Baltic while rocky promontories and wooded hills frame the urban core. The king’s palace commands the skyline, with church spires pricking the horizon and fortified walls clasping the older town. This is a city map of uncommon interest: it captures Stockholm’s islanded geometry and maritime stage, the choreography of quays and bridges, and the poised moment just after the 1697 conflagration—before the sweeping expansions that would later redefine the capital’s waterfronts.
Pierre Alexandre Aveline, one of the early 18th century’s most accomplished viewmakers, fused decorative flourish with a documentarian’s eye. His engravings are alive with incident—rigging etched razor-fine, rooflines articulated in rhythmic tiers—yet they preserve a careful hierarchy of streets, squares, and monuments. Aveline’s pictorial maps helped codify the image of Europe’s capitals for a continent hungry for news and spectacle. Here he adapts the grand French tradition of oblique city views to a northern subject, translating Stockholm’s fractured topography into a legible, almost theatrical set, where architectural massing, navigable channels, and the business of empire read instantly across the page.
The map lingers over the tight weave of Gamla Stan, its alleys flowing toward market spaces such as Kornhamnstorg and out along the axial pair of Västerlånggatan and Österlånggatan. Across the water, the monastic precinct of Riddarholmen rises with its famous church, the Riddarholmskanalen glinting between piers and warehouses. St. Gertrude’s Church (Tyska kyrkan) lifts a distinctive spire amid the merchants’ quarter, while the looming royal residence—already reshaped in the mind of the era after the palace fire—anchors the ensemble. Bridges knit the islands together, with the sluice at Slussen regulating the city’s pulse between Mälaren and the sea, and the orderly progress of Regeringsgatan signaling ambitions on the Norrmalm shore.
Maritime life animates every reach of the harbor. Along Skeppsbron, hulls press the quay in close ranks, warehouses open to the water, and cranes silhouette the skyline. To the east, the naval precincts of Skeppsholmen and Kastellholmen display masts, booms, and boat sheds—a visual manifesto of Stockholm’s power by ship. Stadsgården’s working shore on Södermalm shows docks and service craft, while open roadsteads in the Saltsjön bristle with inbound and outbound vessels. A cordon of bastions and walls girdles the older town, underscoring a capital that still thought in terms of gates and lines of fire, even as commerce and diplomacy tugged it outward across bridges, islands, and quays.
Aveline freezes a city mid-transformation. The 1697 palace fire, which consumed Tre Kronor, prompted an audacious Baroque reimagining under Nicodemus Tessin the Younger; the map hints at that renewed monumental core while preserving pre-expansion shorelines. Streets and pathways are etched as purposeful conduits—arteries from the markets of the old town toward Södermalm’s ridges and the royal parklands of Djurgården. Beyond the walls, rocky knolls, wooded tracts, and causeways remind us that Stockholm’s growth negotiated granite and water as much as policy. As a city map, it is notable for rendering the capital not as a flat plan, but as a lived, vertical landscape—an archipelago metropolis poised between medieval enclosure and Enlightenment order.
Streets and roads on this map
- Djurgårdsbrunnsvägen
- Gamla Stan
- Kornhamnstorg
- Långholmsgatan
- Munkbroleden
- Norrmalmstorg
- Regeringsgatan
- Riddarholmskanalen
- Slussen
- Södergatan
- Stadsgårdskajen
- Sturegatan
- Tullhusgatan
- Västerlånggatan
- Vetehusetgatan
Notable Features & Landmarks
- King’s Palace
- St. Gertrude's Church
- Fortified city walls
- Various residential buildings
- Ships and docks in the harbor
- Natural landscape features surrounding the city
- Roads and pathways depicted through the city and surrounding areas
Historical and design context
- Creation Date: 1700
- Mapmaker: Pierre Alexander Aveline, a prominent viewmaker of the early 18th century.
- Context about the Mapmaker: Aveline was known for his decorative engravings and significantly contributed to the representation of cities through pictorial maps.
- Design/Style: The map is an antique engraved bird's-eye view, characterized by a detailed and artistic representation of the urban landscape, capturing both architectural and natural elements.
- Historical Significance: The map reflects Stockholm's status as a rising power in Europe during the late 17th century, showcasing the city post-fire in 1697, highlighting the rebuilding efforts and urban layout before significant expansion.
- Bird's-eye view of Stockholm
- Urban development following a major fire
- Significant landmarks such as the king's palace and churches
- Maritime features including ships, docks, and the harbor
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 24x36in (60x90cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 5-year guarantee.
My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.
I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.
Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.
Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.
All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
See some examples of my framed maps and framed canvas maps.
Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.
If you want to frame your map or artwork yourself, please read my size guide first.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.
I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.
Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.
Or try searching for something!
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Stockholm Ville Capitale du Royaume de Suede is a striking bird’s-eye portrait of the Swedish capital at the turn of the 18th century, rendered with theatrical clarity at the height of Sweden’s great-power era. Aveline sets the city amid its glittering archipelago, the channels of Norrström tying Lake Mälaren to the Baltic while rocky promontories and wooded hills frame the urban core. The king’s palace commands the skyline, with church spires pricking the horizon and fortified walls clasping the older town. This is a city map of uncommon interest: it captures Stockholm’s islanded geometry and maritime stage, the choreography of quays and bridges, and the poised moment just after the 1697 conflagration—before the sweeping expansions that would later redefine the capital’s waterfronts.
Pierre Alexandre Aveline, one of the early 18th century’s most accomplished viewmakers, fused decorative flourish with a documentarian’s eye. His engravings are alive with incident—rigging etched razor-fine, rooflines articulated in rhythmic tiers—yet they preserve a careful hierarchy of streets, squares, and monuments. Aveline’s pictorial maps helped codify the image of Europe’s capitals for a continent hungry for news and spectacle. Here he adapts the grand French tradition of oblique city views to a northern subject, translating Stockholm’s fractured topography into a legible, almost theatrical set, where architectural massing, navigable channels, and the business of empire read instantly across the page.
The map lingers over the tight weave of Gamla Stan, its alleys flowing toward market spaces such as Kornhamnstorg and out along the axial pair of Västerlånggatan and Österlånggatan. Across the water, the monastic precinct of Riddarholmen rises with its famous church, the Riddarholmskanalen glinting between piers and warehouses. St. Gertrude’s Church (Tyska kyrkan) lifts a distinctive spire amid the merchants’ quarter, while the looming royal residence—already reshaped in the mind of the era after the palace fire—anchors the ensemble. Bridges knit the islands together, with the sluice at Slussen regulating the city’s pulse between Mälaren and the sea, and the orderly progress of Regeringsgatan signaling ambitions on the Norrmalm shore.
Maritime life animates every reach of the harbor. Along Skeppsbron, hulls press the quay in close ranks, warehouses open to the water, and cranes silhouette the skyline. To the east, the naval precincts of Skeppsholmen and Kastellholmen display masts, booms, and boat sheds—a visual manifesto of Stockholm’s power by ship. Stadsgården’s working shore on Södermalm shows docks and service craft, while open roadsteads in the Saltsjön bristle with inbound and outbound vessels. A cordon of bastions and walls girdles the older town, underscoring a capital that still thought in terms of gates and lines of fire, even as commerce and diplomacy tugged it outward across bridges, islands, and quays.
Aveline freezes a city mid-transformation. The 1697 palace fire, which consumed Tre Kronor, prompted an audacious Baroque reimagining under Nicodemus Tessin the Younger; the map hints at that renewed monumental core while preserving pre-expansion shorelines. Streets and pathways are etched as purposeful conduits—arteries from the markets of the old town toward Södermalm’s ridges and the royal parklands of Djurgården. Beyond the walls, rocky knolls, wooded tracts, and causeways remind us that Stockholm’s growth negotiated granite and water as much as policy. As a city map, it is notable for rendering the capital not as a flat plan, but as a lived, vertical landscape—an archipelago metropolis poised between medieval enclosure and Enlightenment order.
Streets and roads on this map
- Djurgårdsbrunnsvägen
- Gamla Stan
- Kornhamnstorg
- Långholmsgatan
- Munkbroleden
- Norrmalmstorg
- Regeringsgatan
- Riddarholmskanalen
- Slussen
- Södergatan
- Stadsgårdskajen
- Sturegatan
- Tullhusgatan
- Västerlånggatan
- Vetehusetgatan
Notable Features & Landmarks
- King’s Palace
- St. Gertrude's Church
- Fortified city walls
- Various residential buildings
- Ships and docks in the harbor
- Natural landscape features surrounding the city
- Roads and pathways depicted through the city and surrounding areas
Historical and design context
- Creation Date: 1700
- Mapmaker: Pierre Alexander Aveline, a prominent viewmaker of the early 18th century.
- Context about the Mapmaker: Aveline was known for his decorative engravings and significantly contributed to the representation of cities through pictorial maps.
- Design/Style: The map is an antique engraved bird's-eye view, characterized by a detailed and artistic representation of the urban landscape, capturing both architectural and natural elements.
- Historical Significance: The map reflects Stockholm's status as a rising power in Europe during the late 17th century, showcasing the city post-fire in 1697, highlighting the rebuilding efforts and urban layout before significant expansion.
- Bird's-eye view of Stockholm
- Urban development following a major fire
- Significant landmarks such as the king's palace and churches
- Maritime features including ships, docks, and the harbor
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 24x36in (60x90cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

