Rare Old Map of Zambia, Malawi & Rhodesia by Naumienko, 1962: Relief tints; Zambezi & Lake Malawi; East African Rift inset
Restored in our London workshop from the original 1962 map and printed to museum-grade archival standards. Full description
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Need delivery to different addresses? Contact us before ordering.The Collector’s Offer
Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.
Restored in London • Printed and framed in Canada
Restored from the original 1962 map and printed to museum-grade archival standards. Full description
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“Zambia, Malawi, Rodezja. Afryka Wschodnia - Krajobrazy” is a striking 1962 statement by Teodor Naumienko, issued by Państwowe Wydawnictwo Naukowe in Warsaw...
Continue reading“Zambia, Malawi, Rodezja. Afryka Wschodnia - Krajobrazy” is a striking 1962 statement by Teodor Naumienko, issued by Państwowe Wydawnictwo Naukowe in Warsaw for the first edition of the Polish World Atlas. Formed in the disciplined tradition of Poland’s Army Topographical Service, Naumienko’s hand marries military-grade accuracy with the lucid elegance of mid-century cartography. The sheet captures a liminal moment in Southern and East Africa, when political geographies were crystallizing even as colonial nomenclatures lingered. Boundaries, cities, and networks are rendered with cool, confident clarity, yet the map remains fundamentally about landscape—its relief, drainage, and climatic belts. Political and physical narratives interlock, showing how frontiers ride watersheds, how roads follow passes, and how settlement and cultivation answer, with quiet logic, to terrain.
With assured linework and a carefully tiered labeling hierarchy, the political framework of Zambia, Malawi, and Rhodesia is set out alongside a living web of connectivity. Lusaka, Lilongwe, and Harare anchor the region, their prominence keyed to a network of arterial roads and railway lines that stitch plateau to valley and highveld to riverside plain. Thematic annotations extend the frame beyond land routes: shipping tracks and measured distances trace skeins to the Indian Ocean littoral, cueing the reader to regional trade geographies. A refined symbol set distinguishes forests from agricultural land, with subtle variations in weight and tint guiding the eye from national outlines to the smallest market town.
Elevation is the language of this map—and it speaks fluently. Gradient tints step through altitude bands with painterly restraint, while crisp isolines give the terrain tactile definition. The Muchinga escarpments rise in orderly strata above the Zambezi trough; the Nyika and Shire Highlands are expressed as luminous plateaus; and the Zimbabwean Eastern Highlands appear as a cool, serrated spine. This hypsometric design is not decorative excess: it explains roads that kink to meet passes, railways that contour along gentler grades, and districts where forest cover yields to fields and plantations. The result is an atlas page that lets relief, land use, and infrastructure read as parts of a single, intelligible system.
Hydrography is mapped with equal finesse. The Zambezi and Shire rivers are articulated as muscular, branching systems, their floodplains and tributaries laid out with hydrological logic. Bathymetric tints bring water bodies into the same dimensional register as land: layered blues descend into the trench-like depths of Lake Malawi, while calibrated shading suggests changing profiles along major channels. Taken together with route distances plotted across the wider East African maritime sphere, the water treatment frames inland Southern Africa as inseparable from littoral movement and exchange. What could have been a static inland plate becomes, instead, a geography of flow—of cargo, rainfall, silt, and people—rendered with scientific restraint.
A thematic inset on the volcanic regions of East Africa widens the lens, situating the southern plateaux within the grand tectonic theater of the Rift. Here, a tighter scale and analytical color sequence pick out volcanic fields and axial highs, with Nairobi appearing as a metropolitan waypoint along this geologic corridor. The inset is not merely illustrative; it is interpretive, hinting at how rift architecture governs gradients, river capture, soils, and ultimately the agricultural patterns symbolized on the main sheet. As part of the inaugural Polish World Atlas, the map embodies a distinctly Warsaw vantage on Africa in the early 1960s—precise, modern, and quietly prescient about the political and environmental structures that would define the region for decades.
Countries and regions on this map
- Zambia
- Malawi
- Rhodesia (Zimbabwe)
- East Africa
- Southern Africa
- Nairobi (as part of an inset map)
Notable Features & Landmarks
- Political boundaries between Zambia, Malawi, and Rhodesia
- Major rivers, including the Zambezi and Shire
- Road networks and railway lines connecting key cities
- City labels including Lusaka, Lilongwe, and Harare
- Mountain ranges and notable elevated terrains
- Gradients used to depict elevation changes
- An inset map detailing volcanic regions of East Africa
- Bathymetric data showing depths of lakes and rivers
- Symbols indicating forests and agricultural land
Historical and design context
- Date Created: 1962
- Mapmaker/Publisher: Teodor Naumienko; published by Państwowe Wydawnictwo Naukowe in Warsaw
- Naumienko was involved with the Polish Army Topographical Service, indicating accuracy and military intention
- Detailed color maps employing gradient tints and isolines
- Bathymetric tints for depth representation
- Inclusion of both political and physical maps
- Thematic elements such as shipping routes and distances
- Unique post and screw binding enhances accessibility
- Part of the first edition of the Polish World Atlas
- Reflects post-colonial geography of East Africa with political boundaries and significant topographic features
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 70in (180cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
“Zambia, Malawi, Rodezja. Afryka Wschodnia - Krajobrazy” is a striking 1962 statement by Teodor Naumienko, issued by Państwowe Wydawnictwo Naukowe in Warsaw for the first edition of the Polish World Atlas. Formed in the disciplined tradition of Poland’s Army Topographical Service, Naumienko’s hand marries military-grade accuracy with the lucid elegance of mid-century cartography. The sheet captures a liminal moment in Southern and East Africa, when political geographies were crystallizing even as colonial nomenclatures lingered. Boundaries, cities, and networks are rendered with cool, confident clarity, yet the map remains fundamentally about landscape—its relief, drainage, and climatic belts. Political and physical narratives interlock, showing how frontiers ride watersheds, how roads follow passes, and how settlement and cultivation answer, with quiet logic, to terrain.
With assured linework and a carefully tiered labeling hierarchy, the political framework of Zambia, Malawi, and Rhodesia is set out alongside a living web of connectivity. Lusaka, Lilongwe, and Harare anchor the region, their prominence keyed to a network of arterial roads and railway lines that stitch plateau to valley and highveld to riverside plain. Thematic annotations extend the frame beyond land routes: shipping tracks and measured distances trace skeins to the Indian Ocean littoral, cueing the reader to regional trade geographies. A refined symbol set distinguishes forests from agricultural land, with subtle variations in weight and tint guiding the eye from national outlines to the smallest market town.
Elevation is the language of this map—and it speaks fluently. Gradient tints step through altitude bands with painterly restraint, while crisp isolines give the terrain tactile definition. The Muchinga escarpments rise in orderly strata above the Zambezi trough; the Nyika and Shire Highlands are expressed as luminous plateaus; and the Zimbabwean Eastern Highlands appear as a cool, serrated spine. This hypsometric design is not decorative excess: it explains roads that kink to meet passes, railways that contour along gentler grades, and districts where forest cover yields to fields and plantations. The result is an atlas page that lets relief, land use, and infrastructure read as parts of a single, intelligible system.
Hydrography is mapped with equal finesse. The Zambezi and Shire rivers are articulated as muscular, branching systems, their floodplains and tributaries laid out with hydrological logic. Bathymetric tints bring water bodies into the same dimensional register as land: layered blues descend into the trench-like depths of Lake Malawi, while calibrated shading suggests changing profiles along major channels. Taken together with route distances plotted across the wider East African maritime sphere, the water treatment frames inland Southern Africa as inseparable from littoral movement and exchange. What could have been a static inland plate becomes, instead, a geography of flow—of cargo, rainfall, silt, and people—rendered with scientific restraint.
A thematic inset on the volcanic regions of East Africa widens the lens, situating the southern plateaux within the grand tectonic theater of the Rift. Here, a tighter scale and analytical color sequence pick out volcanic fields and axial highs, with Nairobi appearing as a metropolitan waypoint along this geologic corridor. The inset is not merely illustrative; it is interpretive, hinting at how rift architecture governs gradients, river capture, soils, and ultimately the agricultural patterns symbolized on the main sheet. As part of the inaugural Polish World Atlas, the map embodies a distinctly Warsaw vantage on Africa in the early 1960s—precise, modern, and quietly prescient about the political and environmental structures that would define the region for decades.
Countries and regions on this map
- Zambia
- Malawi
- Rhodesia (Zimbabwe)
- East Africa
- Southern Africa
- Nairobi (as part of an inset map)
Notable Features & Landmarks
- Political boundaries between Zambia, Malawi, and Rhodesia
- Major rivers, including the Zambezi and Shire
- Road networks and railway lines connecting key cities
- City labels including Lusaka, Lilongwe, and Harare
- Mountain ranges and notable elevated terrains
- Gradients used to depict elevation changes
- An inset map detailing volcanic regions of East Africa
- Bathymetric data showing depths of lakes and rivers
- Symbols indicating forests and agricultural land
Historical and design context
- Date Created: 1962
- Mapmaker/Publisher: Teodor Naumienko; published by Państwowe Wydawnictwo Naukowe in Warsaw
- Naumienko was involved with the Polish Army Topographical Service, indicating accuracy and military intention
- Detailed color maps employing gradient tints and isolines
- Bathymetric tints for depth representation
- Inclusion of both political and physical maps
- Thematic elements such as shipping routes and distances
- Unique post and screw binding enhances accessibility
- Part of the first edition of the Polish World Atlas
- Reflects post-colonial geography of East Africa with political boundaries and significant topographic features
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 70in (180cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Every Unique Maps piece begins with an authentic cartographic source or an original design from our London studio.
For our historic maps, we source rare originals from libraries, archives, auction houses and private collections around the world. We carefully restore each map for print—repairing age-related damage, balancing colour and improving clarity while preserving its original detail, texture and character.
Once restored, the map is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our map prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks, creating a rich, non-glossy finish designed to last. Framed maps use crystal-clear optical acrylic and arrive ready to hang.
Canvas, cotton-rag and other specialist presentations are also available. Learn more about our materials and finishes.
Personalising your map
You can add a short title or dedication, mark one meaningful place, or request one considered visual detail. For personalised designs, we send a proof before printing and you can request changes before approval.
For more complex bespoke commissions, contact our design team.
Original or Aged
Choose Original for true-to-source colour, or Aged for a warmer, richer antique character created with our specialist ageing process. See examples of our Aged maps.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.
I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.
Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.
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“Zambia, Malawi, Rodezja. Afryka Wschodnia - Krajobrazy” is a striking 1962 statement by Teodor Naumienko, issued by Państwowe Wydawnictwo Naukowe in Warsaw for the first edition of the Polish World Atlas. Formed in the disciplined tradition of Poland’s Army Topographical Service, Naumienko’s hand marries military-grade accuracy with the lucid elegance of mid-century cartography. The sheet captures a liminal moment in Southern and East Africa, when political geographies were crystallizing even as colonial nomenclatures lingered. Boundaries, cities, and networks are rendered with cool, confident clarity, yet the map remains fundamentally about landscape—its relief, drainage, and climatic belts. Political and physical narratives interlock, showing how frontiers ride watersheds, how roads follow passes, and how settlement and cultivation answer, with quiet logic, to terrain.
With assured linework and a carefully tiered labeling hierarchy, the political framework of Zambia, Malawi, and Rhodesia is set out alongside a living web of connectivity. Lusaka, Lilongwe, and Harare anchor the region, their prominence keyed to a network of arterial roads and railway lines that stitch plateau to valley and highveld to riverside plain. Thematic annotations extend the frame beyond land routes: shipping tracks and measured distances trace skeins to the Indian Ocean littoral, cueing the reader to regional trade geographies. A refined symbol set distinguishes forests from agricultural land, with subtle variations in weight and tint guiding the eye from national outlines to the smallest market town.
Elevation is the language of this map—and it speaks fluently. Gradient tints step through altitude bands with painterly restraint, while crisp isolines give the terrain tactile definition. The Muchinga escarpments rise in orderly strata above the Zambezi trough; the Nyika and Shire Highlands are expressed as luminous plateaus; and the Zimbabwean Eastern Highlands appear as a cool, serrated spine. This hypsometric design is not decorative excess: it explains roads that kink to meet passes, railways that contour along gentler grades, and districts where forest cover yields to fields and plantations. The result is an atlas page that lets relief, land use, and infrastructure read as parts of a single, intelligible system.
Hydrography is mapped with equal finesse. The Zambezi and Shire rivers are articulated as muscular, branching systems, their floodplains and tributaries laid out with hydrological logic. Bathymetric tints bring water bodies into the same dimensional register as land: layered blues descend into the trench-like depths of Lake Malawi, while calibrated shading suggests changing profiles along major channels. Taken together with route distances plotted across the wider East African maritime sphere, the water treatment frames inland Southern Africa as inseparable from littoral movement and exchange. What could have been a static inland plate becomes, instead, a geography of flow—of cargo, rainfall, silt, and people—rendered with scientific restraint.
A thematic inset on the volcanic regions of East Africa widens the lens, situating the southern plateaux within the grand tectonic theater of the Rift. Here, a tighter scale and analytical color sequence pick out volcanic fields and axial highs, with Nairobi appearing as a metropolitan waypoint along this geologic corridor. The inset is not merely illustrative; it is interpretive, hinting at how rift architecture governs gradients, river capture, soils, and ultimately the agricultural patterns symbolized on the main sheet. As part of the inaugural Polish World Atlas, the map embodies a distinctly Warsaw vantage on Africa in the early 1960s—precise, modern, and quietly prescient about the political and environmental structures that would define the region for decades.
Countries and regions on this map
- Zambia
- Malawi
- Rhodesia (Zimbabwe)
- East Africa
- Southern Africa
- Nairobi (as part of an inset map)
Notable Features & Landmarks
- Political boundaries between Zambia, Malawi, and Rhodesia
- Major rivers, including the Zambezi and Shire
- Road networks and railway lines connecting key cities
- City labels including Lusaka, Lilongwe, and Harare
- Mountain ranges and notable elevated terrains
- Gradients used to depict elevation changes
- An inset map detailing volcanic regions of East Africa
- Bathymetric data showing depths of lakes and rivers
- Symbols indicating forests and agricultural land
Historical and design context
- Date Created: 1962
- Mapmaker/Publisher: Teodor Naumienko; published by Państwowe Wydawnictwo Naukowe in Warsaw
- Naumienko was involved with the Polish Army Topographical Service, indicating accuracy and military intention
- Detailed color maps employing gradient tints and isolines
- Bathymetric tints for depth representation
- Inclusion of both political and physical maps
- Thematic elements such as shipping routes and distances
- Unique post and screw binding enhances accessibility
- Part of the first edition of the Polish World Atlas
- Reflects post-colonial geography of East Africa with political boundaries and significant topographic features
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 70in (180cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
