Rare Old Map Indian Territory in Texas & New Mexico by Gregg, 1844: US-Mexico Border, Rio Grande, San Antonio, El Paso, New Mexico
20% de descuento en 2 — 33% de descuento en 3
Añade dos artículos elegibles a tu carrito para recibir 20% de descuento. Añade un tercero y será complementario (equivalente a 33% de descuento al comprar tres).
No se necesita código — la oferta se aplica automáticamente al finalizar la compra.
Válido en todos los mapas estándar y impresiones de arte fino. Puedes mezclar y combinar cualquier diseño.
Si deseas enviar artículos a múltiples direcciones, por favor contáctanos antes de realizar tu pedido.
Las comisiones personalizadas y a medida están excluidas.
Contáctanos si tienes alguna pregunta
20% de descuento en 2 — 33% de descuento en 3
Añade dos artículos elegibles a tu carrito para recibir 20% de descuento. Añade un tercero y será complementario (equivalente a 33% de descuento al comprar tres).
No se necesita código — la oferta se aplica automáticamente al finalizar la compra.
Válido en todos los mapas estándar y impresiones de arte fino. Puedes mezclar y combinar cualquier diseño.
Si deseas enviar artículos a múltiples direcciones, por favor contáctanos antes de realizar tu pedido.
Las comisiones personalizadas y a medida están excluidas.
Contáctanos si tienes alguna pregunta
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Designed in London • Made in Canada
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A Map of the Indian Territory Northern Texas and New Mexico Showing the Great Western Prairies distills the restless expanse of the mid-19th-century borderlands into a lucid, field-informed picture. Created in 1844 by Josiah Gregg and issued by Sidney E. Morse and Samuel Breese under entry of the Act of Congress, it frames the Rio Grande as a commanding axis and political divide, while clear border lines and maize-toned shading articulate shifting sovereignties. A battery of symbols locates towns, villages, ranches, forts, trading posts, camps, springs, and ruins; elevation lines model the rise and fall of prairie and mesa. Anchoring the human geography are San Antonio, Dallas, Fort Worth, and El Paso on the U.S. side, paired with Ciudad Juárez (then El Paso del Norte), a twinned gateway binding two nations across the river.
Gregg, a merchant-naturalist and veteran of the Santa Fe trade, was uniquely positioned to capture this region at the confluence of commerce, culture, and topography. His overland caravans yielded meticulous notes on routes, fords, and encampments—practical intelligence he refined in print and on this map. The result fuses traveler’s pragmatism with scholar’s care: mountain relief rendered by careful linework, watercourses traced with a surveyor’s economy, and settlements calibrated to the lived geography of supply and security. The imprint of Morse and Breese—pioneers in precise American cartographic publishing—ensures a crisp, intelligible symbology and a distribution that placed Gregg’s hard-won observations before a national audience hungry for western knowledge.
Foremost among the map’s virtues is its ethnographic literacy. Gregg notes Native American residence patterns with a candor that acknowledges mobility and disruption—villages, seasonal camps, and ranges marked where prairies meet river corridors and springs. These notations register a moment when forced relocations and treaty lines were accelerating change, a process that intensified after 1848. Indian Territory appears not as blank space but as a mosaic of peoples whose movements shaped trade, diplomacy, and conflict. Trading posts and forts punctuate contact zones, while named springs and fords—lifelines in an arid country—chart the itineraries of hunters, herders, and caravans threading between the Red River watershed, the plains, and the Rio Grande valley.
The cartography clarifies how landscape channeled history. The Rio Grande, running like a braided seam, asserts the U.S.–Mexico boundary even as roads and ranches stitch across it. Elevation lines and careful shading lift plateaus and breaks from the page, showing why forts cluster along defensible ground and why ranches spread where water and grass converge. Labels guide the eye from San Antonio north and west through prairie corridors to Dallas and Fort Worth, and onward across the wild spaces toward El Paso and Ciudad Juárez. Waypoints—camps, springs, ruins—transform abstraction into itinerary, revealing how travelers navigated risk and scarcity along routes that were as strategic as they were commercial.
Historically, the map reads as both diagnosis and forecast. It captures a volatile frontier where cattle theft, cross-border raiding, and improvised justice coexisted with legal frameworks only fitfully enforced. Clear territorial lines hint at order; the dense overlay of forts, posts, and encampments reveals the contested reality beneath. As the Mexican–American War redrew claims and accelerated migration, Gregg’s prairie atlas became an indispensable key to interpreting sovereignty on the move—who lived where, who traded with whom, and along which rivers and roads power actually flowed. For the connoisseur, it offers rare, firsthand coherence amid the 19th-century tumult: a disciplined map that still breathes with dust, distance, and decision.
Cities and towns on this map
- Fort Worth, Texas
- Dallas, Texas
- San Antonio, Texas
- El Paso, Texas
- Ciudad Juárez (formerly El Paso del Norte)
- Other lesser-known settlements, primarily smaller communities, indicated with symbols but not named specifically.
Notable Features & Landmarks
- Borders of territories, represented by clear lines and labels.
- Symbols indicating towns, villages, ranches, forts, trading posts, camps, springs, and ruins.
- Major rivers including the Rio Grande, with the river prominently marking the U.S.-Mexico boundary.
- Elevation lines indicating the physical geography of the area.
- Labels indicating key locations and landmarks significant to travelers and settlers of the time.
Historical and design context
- Josiah Gregg, created in 1844; published by Sidney E. Morse and Samuel Breese, entered according to Act of Congress.
- Josiah Gregg was notable for his exploration and writings about the American West, contributing essential knowledge about this region during its formative years.
- The map shows residence patterns of Native Americans, particularly post-1848 relocations to U.S. territories.
- Highlights settlement patterns of this time period, reflecting upon the sociopolitical landscape between Texas and Mexico, including issues of lawlessness, cattle theft, and Native American interactions.
- Covers regions of Northern Texas and New Mexico, particularly highlighting areas around the Rio Grande.
- Features original maize shading at the borders, employing a detailed cartographic style with various symbols representing towns, ranches, and notable geographical elements.
- Reflects tensions in the borderlands of the U.S. and Mexico during the 19th century.
- It's a significant resource for understanding the complexity of territorial claims and cultural interactions in this transitional period.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 20x16in (50x40cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Para la mayoría de los pedidos, el tiempo de entrega es de aproximadamente 3 días laborables. Los productos personalizados y a medida tardan más, ya que tengo que hacer la personalización y enviártelo para su aprobación, lo cual suele tardar 1 o 2 días.
Tenga en cuenta que los pedidos enmarcados muy grandes suelen tardar más en fabricarse y entregarse.
Si necesitas que tu pedido llegue para una fecha determinada, por favor contáctame antes de hacer el pedido para que podamos encontrar la mejor manera de asegurarnos de que recibas tu pedido a tiempo.
Imprimo y enmarco mapas y obras de arte en 23 países alrededor del mundo. Esto significa que tu pedido se fabricará localmente, lo que reduce el tiempo de entrega y asegura que no se dañe durante el envío. Nunca pagarás aranceles de aduana o impuestos de importación, y pondremos menos CO2 en el aire.
Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
Si seleccionas Entrega Exprés al finalizar la compra, priorizaremos tu pedido y lo enviaremos por mensajería de 1 día (Fedex, DHL, UPS, Parcelforce).
La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Mis mapas son reproducciones de mapas originales de altísima calidad.
Obtengo mapas originales y raros de bibliotecas, casas de subastas y colecciones privadas de todo el mundo, los restauro en mi taller de Londres y luego uso tintas e impresoras giclée especializadas para crear hermosos mapas que lucen incluso mejor que el original.
Mis mapas están impresos en papel de archivo mate (no brillante) sin ácido que se siente de muy alta calidad y casi como una tarjeta. En términos técnicos, el peso/grosor del papel es de 10 mil/200 g/m². Es perfecto para enmarcar.
Imprimo con tintas pigmentadas Epson ultrachrome giclée UV resistentes a la decoloración, algunas de las mejores tintas que puedes encontrar.
yo también puedo hacer mapas sobre lienzo, trapo de algodón y otros materiales exóticos.
Obtenga más información sobre The Unique Maps Co..
Personalización de mapas
Si está buscando el regalo perfecto de aniversario o inauguración de la casa, puedo personalizar su mapa para hacerlo verdaderamente único. Por ejemplo, puedo agregar un mensaje corto, resaltar una ubicación importante o agregar el escudo de armas de su familia.
Las opciones son casi infinitas. Por favor mira mi página de personalización de mapas para ver algunos maravillosos ejemplos de lo que es posible.
Para pedir un mapa personalizado, seleccione "personalizar su mapa" antes de agregarlo a su carrito.
Ponerse en contacto si buscas personalizaciones y personalizaciones más complejas.
Envejecimiento del mapa
A lo largo de los años, los clientes me han preguntado cientos de veces si podían comprar un mapa que se viera uniforme. más viejo.
Bueno, ahora puedes hacerlo seleccionando Envejecido antes de agregar un mapa a tu carrito.
Todas las fotografías de productos que ve en esta página muestran el mapa en su forma original. Así es como se ve el mapa hoy.
Si selecciona Envejecido, envejeceré su mapa a mano, usando un proceso especial y único desarrollado a través de años de estudiar mapas antiguos, hablar con investigadores para comprender la química del envejecimiento del papel y, por supuesto... ¡mucha práctica!
Si no estás seguro, quédate con el color original del mapa. Si quieres algo un poco más oscuro y más viejo buscando, opte por Envejecido.
Si no estás satisfecho con tu pedido por cualquier motivo, contáctame para un reembolso sin complicaciones. Por favor, consulta nuestra política de devoluciones y reembolsos para más información.
Estoy muy seguro de que te gustará tu mapa o impresión artística restaurada. He estado haciendo esto desde 1984. Soy un vendedor de 5 estrellas en Etsy. He vendido decenas de miles de mapas e impresiones artísticas y tengo más de 5,000 opiniones reales de 5 estrellas.
Utilizo un proceso único para restaurar mapas y obras de arte que consume mucho tiempo y mano de obra. Buscar los mapas e ilustraciones originales puede llevar meses. Utilizo tecnología de última generación y extremadamente cara para escanear y restaurarlos. Como resultado, garantizo que mis mapas e impresiones artísticas son superiores a los demás - por eso puedo ofrecer un reembolso sin complicaciones.
Casi todos mis mapas e impresiones artísticas se ven increíbles en tamaños grandes (200cm, 6.5ft+) y también puedo enmarcarlos y entregártelos a través de un servicio de mensajería especial para tamaños grandes. Contáctame para discutir tus necesidades específicas.
Or try searching for something!
Este servicio no está disponible actualmente,
disculpe las molestias.
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A Map of the Indian Territory Northern Texas and New Mexico Showing the Great Western Prairies distills the restless expanse of the mid-19th-century borderlands into a lucid, field-informed picture. Created in 1844 by Josiah Gregg and issued by Sidney E. Morse and Samuel Breese under entry of the Act of Congress, it frames the Rio Grande as a commanding axis and political divide, while clear border lines and maize-toned shading articulate shifting sovereignties. A battery of symbols locates towns, villages, ranches, forts, trading posts, camps, springs, and ruins; elevation lines model the rise and fall of prairie and mesa. Anchoring the human geography are San Antonio, Dallas, Fort Worth, and El Paso on the U.S. side, paired with Ciudad Juárez (then El Paso del Norte), a twinned gateway binding two nations across the river.
Gregg, a merchant-naturalist and veteran of the Santa Fe trade, was uniquely positioned to capture this region at the confluence of commerce, culture, and topography. His overland caravans yielded meticulous notes on routes, fords, and encampments—practical intelligence he refined in print and on this map. The result fuses traveler’s pragmatism with scholar’s care: mountain relief rendered by careful linework, watercourses traced with a surveyor’s economy, and settlements calibrated to the lived geography of supply and security. The imprint of Morse and Breese—pioneers in precise American cartographic publishing—ensures a crisp, intelligible symbology and a distribution that placed Gregg’s hard-won observations before a national audience hungry for western knowledge.
Foremost among the map’s virtues is its ethnographic literacy. Gregg notes Native American residence patterns with a candor that acknowledges mobility and disruption—villages, seasonal camps, and ranges marked where prairies meet river corridors and springs. These notations register a moment when forced relocations and treaty lines were accelerating change, a process that intensified after 1848. Indian Territory appears not as blank space but as a mosaic of peoples whose movements shaped trade, diplomacy, and conflict. Trading posts and forts punctuate contact zones, while named springs and fords—lifelines in an arid country—chart the itineraries of hunters, herders, and caravans threading between the Red River watershed, the plains, and the Rio Grande valley.
The cartography clarifies how landscape channeled history. The Rio Grande, running like a braided seam, asserts the U.S.–Mexico boundary even as roads and ranches stitch across it. Elevation lines and careful shading lift plateaus and breaks from the page, showing why forts cluster along defensible ground and why ranches spread where water and grass converge. Labels guide the eye from San Antonio north and west through prairie corridors to Dallas and Fort Worth, and onward across the wild spaces toward El Paso and Ciudad Juárez. Waypoints—camps, springs, ruins—transform abstraction into itinerary, revealing how travelers navigated risk and scarcity along routes that were as strategic as they were commercial.
Historically, the map reads as both diagnosis and forecast. It captures a volatile frontier where cattle theft, cross-border raiding, and improvised justice coexisted with legal frameworks only fitfully enforced. Clear territorial lines hint at order; the dense overlay of forts, posts, and encampments reveals the contested reality beneath. As the Mexican–American War redrew claims and accelerated migration, Gregg’s prairie atlas became an indispensable key to interpreting sovereignty on the move—who lived where, who traded with whom, and along which rivers and roads power actually flowed. For the connoisseur, it offers rare, firsthand coherence amid the 19th-century tumult: a disciplined map that still breathes with dust, distance, and decision.
Cities and towns on this map
- Fort Worth, Texas
- Dallas, Texas
- San Antonio, Texas
- El Paso, Texas
- Ciudad Juárez (formerly El Paso del Norte)
- Other lesser-known settlements, primarily smaller communities, indicated with symbols but not named specifically.
Notable Features & Landmarks
- Borders of territories, represented by clear lines and labels.
- Symbols indicating towns, villages, ranches, forts, trading posts, camps, springs, and ruins.
- Major rivers including the Rio Grande, with the river prominently marking the U.S.-Mexico boundary.
- Elevation lines indicating the physical geography of the area.
- Labels indicating key locations and landmarks significant to travelers and settlers of the time.
Historical and design context
- Josiah Gregg, created in 1844; published by Sidney E. Morse and Samuel Breese, entered according to Act of Congress.
- Josiah Gregg was notable for his exploration and writings about the American West, contributing essential knowledge about this region during its formative years.
- The map shows residence patterns of Native Americans, particularly post-1848 relocations to U.S. territories.
- Highlights settlement patterns of this time period, reflecting upon the sociopolitical landscape between Texas and Mexico, including issues of lawlessness, cattle theft, and Native American interactions.
- Covers regions of Northern Texas and New Mexico, particularly highlighting areas around the Rio Grande.
- Features original maize shading at the borders, employing a detailed cartographic style with various symbols representing towns, ranches, and notable geographical elements.
- Reflects tensions in the borderlands of the U.S. and Mexico during the 19th century.
- It's a significant resource for understanding the complexity of territorial claims and cultural interactions in this transitional period.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 20x16in (50x40cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

