Rare Old Map of Prayagraj (Allahabad) by Bartholomew, 1893: Fort, Sangam, Civil Lines, Cantonments, Railways
Restaurado en nuestro taller de Londres a partir del mapa original de 1893 e impreso en calidad museo. Descripción completa
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Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
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Restaurado en Londres • Impreso y enmarcado en Canada
Restaurado a partir del mapa original de 1893 e impreso en calidad museo. Descripción completa
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Allahabad and Environs (Plate 44) captures the late-nineteenth-century capital at the storied junction of the Ganges and Jumna, rendered with the lucid...
Seguir leyendoAllahabad and Environs (Plate 44) captures the late-nineteenth-century capital at the storied junction of the Ganges and Jumna, rendered with the lucid precision of John George Bartholomew and issued by Archibald Constable & Company in 1893. As a city map, it is unusually revealing: the Mughal-era Allahabad Fort anchors the riverfront while a modern lattice of roads, railways, bridges, and canals radiates from the confluence, articulating a metropolis where pilgrimage, bureaucracy, and commerce overlap. Part of Constable’s Hand Atlas of India, the plate balances topographic nuance with urban legibility—pinpointing public buildings, parks, and river landings—so that neighborhoods, bazaars, and the planned colonial quarters can be read as a single living geography. The result is a compelling portrait of an Indian city at a pivotal moment of imperial and civic transformation.
The plate’s urban anatomy unfolds street by street. Walled City Road and Kydganj Road delineate the dense historic quarters near the ghats, where markets spill into lanes like Sadar Bazar Road and Daryaganj Road. Westward, a rational grid announces itself through Civil Lines Road, Victoria Road, Bank Road, and Elgin Road, tracing the planned order of the colonial administration. Company Bagh Road leads into broad green, a landscaped park counterpoint to the bustling chowks. Arterial thoroughfares—Beli Road, Parade Road, and Allenby Road—tie these districts to the broader road network, while Ameenabad, Ganeshganj, and Paharganj Roads sketch the residential suburbs advancing beyond the old ramparts. The juxtaposition of intimate neighborhoods with broad avenues and civic greens is precisely what makes this an especially interesting city map.
Bartholomew gives the rivers a starring role, mapping the Ganges and Jumna with careful attention to banks, islands, and the seasonal drama of monsoon water. Areas marked as “land inundated during rains” disclose the city’s hydrological logic, revealing floodplain margins that shaped settlement, road alignments, and the positioning of public works. Railway lines and river bridges stitch the banks into a single urban field, with East Track Road shadowing the iron way and confirming Allahabad’s emergence as a rail hub linking the North-Western Provinces to broader markets. Canals and embankments curve along the low ground, while river landings and ferry points speak to the enduring vitality of river trade and pilgrimage traffic at the Sangam. It is a hydroscape rendered as infrastructure, belief, and economy all at once.
Military geography is foregrounded with rare candor: cantonments are tinted in yellow, and their internal order—Parade Road, Sadar Bazar Road, New Cantonment Road, and Strategic Road—reads like a manual of garrison planning. The spatial relationship between these cantonments, the Fort, and the trunk roads explains how the city was secured after 1857 and how troops, mail, and commodities flowed between depots, railheads, and river crossings. The yellow washes also make plain the duality of Allahabad—administrative seat, legal center, and rail nexus on one hand; fortified node commanding the confluence on the other. This explicit, color-coded stratigraphy of civil and martial space is a distinctive virtue of the map and a key reason it rewards close urban study.
John George Bartholomew, often called the “Prince of Cartography,” brings his characteristic synthesis of scientific exactitude and typographic grace to this plate, while Archibald Constable & Company situates it within the authoritative Constable’s Hand Atlas of India. Bartholomew’s judicious use of color and symbol renders complex urban information—roads, rails, parks, public buildings, and cantonments—instantly intelligible. For historians, the map fixes Allahabad at the height of its provincial primacy, when courts, colleges, and administrative offices transformed its civic core even as bazaars and riverfront traditions endured. For collectors and connoisseurs of city plans, it exemplifies late-Victorian urban cartography: a meticulous, idea-rich sheet that reveals how transport, water, and power organized one of North India’s most significant cities.
Streets and roads on this map
- Allenby Road
- Ameenabad Road
- Awasthi Road
- Bank Road
- Beli Road
- Civil Lines Road
- Company Bagh Road
- Daryaganj Road
- East Track Road
- Elgin Road
- French Road
- Ganeshganj Road
- Ghonshah Road
- Hathi Pahar Road
- Jawahar Road
- Jewar Road
- Kydganj Road
- Lalita Devi Road
- Mahatma Gandhi Marg
- Mohan Road
- Mothi Bagh Road
- New Cantonment Road
- Numaish Road
- Old Bai Ka Kua
- Paharganj Road
- Parade Road
- Raebareli Road
- Sadar Bazar Road
- Strategic Road
- Victoria Road
- Walled City Road
Notable Features & Landmarks
- Allahabad Fort
- Cantonment areas marked in yellow
- Major roads and railways
- Parks and public buildings
- Rivers Ganges and Jumna
- Land inundated during rains
- Various landmarks and neighbourhoods
Historical and design context
- Map Title: Allahabad and Environs (Plate 44).
- Mapmaker/Publisher: Created by J G John George Bartholomew and published by Archibald Constable & Company.
- Date of Creation: 1893.
- Map's Origin: This map is part of the "Constable's Hand Atlas of India," which consists of 60 double-page maps.
- Design: The binding is distinctive, made of red cloth with maroon goatskin, featuring gilt accents, reflecting high-quality craftsmanship typical of significant historical publications.
- Geographical Context: Depicts the city of Allahabad and surrounding areas, detailing various features pertinent to late 19th-century India.
- Historical Significance: Serves as a valuable resource for historians and cartography enthusiasts to understand the geography and infrastructure of 19th-century India.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Allahabad and Environs (Plate 44) captures the late-nineteenth-century capital at the storied junction of the Ganges and Jumna, rendered with the lucid precision of John George Bartholomew and issued by Archibald Constable & Company in 1893. As a city map, it is unusually revealing: the Mughal-era Allahabad Fort anchors the riverfront while a modern lattice of roads, railways, bridges, and canals radiates from the confluence, articulating a metropolis where pilgrimage, bureaucracy, and commerce overlap. Part of Constable’s Hand Atlas of India, the plate balances topographic nuance with urban legibility—pinpointing public buildings, parks, and river landings—so that neighborhoods, bazaars, and the planned colonial quarters can be read as a single living geography. The result is a compelling portrait of an Indian city at a pivotal moment of imperial and civic transformation.
The plate’s urban anatomy unfolds street by street. Walled City Road and Kydganj Road delineate the dense historic quarters near the ghats, where markets spill into lanes like Sadar Bazar Road and Daryaganj Road. Westward, a rational grid announces itself through Civil Lines Road, Victoria Road, Bank Road, and Elgin Road, tracing the planned order of the colonial administration. Company Bagh Road leads into broad green, a landscaped park counterpoint to the bustling chowks. Arterial thoroughfares—Beli Road, Parade Road, and Allenby Road—tie these districts to the broader road network, while Ameenabad, Ganeshganj, and Paharganj Roads sketch the residential suburbs advancing beyond the old ramparts. The juxtaposition of intimate neighborhoods with broad avenues and civic greens is precisely what makes this an especially interesting city map.
Bartholomew gives the rivers a starring role, mapping the Ganges and Jumna with careful attention to banks, islands, and the seasonal drama of monsoon water. Areas marked as “land inundated during rains” disclose the city’s hydrological logic, revealing floodplain margins that shaped settlement, road alignments, and the positioning of public works. Railway lines and river bridges stitch the banks into a single urban field, with East Track Road shadowing the iron way and confirming Allahabad’s emergence as a rail hub linking the North-Western Provinces to broader markets. Canals and embankments curve along the low ground, while river landings and ferry points speak to the enduring vitality of river trade and pilgrimage traffic at the Sangam. It is a hydroscape rendered as infrastructure, belief, and economy all at once.
Military geography is foregrounded with rare candor: cantonments are tinted in yellow, and their internal order—Parade Road, Sadar Bazar Road, New Cantonment Road, and Strategic Road—reads like a manual of garrison planning. The spatial relationship between these cantonments, the Fort, and the trunk roads explains how the city was secured after 1857 and how troops, mail, and commodities flowed between depots, railheads, and river crossings. The yellow washes also make plain the duality of Allahabad—administrative seat, legal center, and rail nexus on one hand; fortified node commanding the confluence on the other. This explicit, color-coded stratigraphy of civil and martial space is a distinctive virtue of the map and a key reason it rewards close urban study.
John George Bartholomew, often called the “Prince of Cartography,” brings his characteristic synthesis of scientific exactitude and typographic grace to this plate, while Archibald Constable & Company situates it within the authoritative Constable’s Hand Atlas of India. Bartholomew’s judicious use of color and symbol renders complex urban information—roads, rails, parks, public buildings, and cantonments—instantly intelligible. For historians, the map fixes Allahabad at the height of its provincial primacy, when courts, colleges, and administrative offices transformed its civic core even as bazaars and riverfront traditions endured. For collectors and connoisseurs of city plans, it exemplifies late-Victorian urban cartography: a meticulous, idea-rich sheet that reveals how transport, water, and power organized one of North India’s most significant cities.
Streets and roads on this map
- Allenby Road
- Ameenabad Road
- Awasthi Road
- Bank Road
- Beli Road
- Civil Lines Road
- Company Bagh Road
- Daryaganj Road
- East Track Road
- Elgin Road
- French Road
- Ganeshganj Road
- Ghonshah Road
- Hathi Pahar Road
- Jawahar Road
- Jewar Road
- Kydganj Road
- Lalita Devi Road
- Mahatma Gandhi Marg
- Mohan Road
- Mothi Bagh Road
- New Cantonment Road
- Numaish Road
- Old Bai Ka Kua
- Paharganj Road
- Parade Road
- Raebareli Road
- Sadar Bazar Road
- Strategic Road
- Victoria Road
- Walled City Road
Notable Features & Landmarks
- Allahabad Fort
- Cantonment areas marked in yellow
- Major roads and railways
- Parks and public buildings
- Rivers Ganges and Jumna
- Land inundated during rains
- Various landmarks and neighbourhoods
Historical and design context
- Map Title: Allahabad and Environs (Plate 44).
- Mapmaker/Publisher: Created by J G John George Bartholomew and published by Archibald Constable & Company.
- Date of Creation: 1893.
- Map's Origin: This map is part of the "Constable's Hand Atlas of India," which consists of 60 double-page maps.
- Design: The binding is distinctive, made of red cloth with maroon goatskin, featuring gilt accents, reflecting high-quality craftsmanship typical of significant historical publications.
- Geographical Context: Depicts the city of Allahabad and surrounding areas, detailing various features pertinent to late 19th-century India.
- Historical Significance: Serves as a valuable resource for historians and cartography enthusiasts to understand the geography and infrastructure of 19th-century India.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Muchos de nuestros mapas y reproducciones de arte se eligen como regalos considerados para hogares, oficinas, despachos y lugares significativos.
Elija una opción enmarcada para el regalo más sencillo, listo para colgar, o elija una lámina sin enmarcar si el destinatario prefiere seleccionar su propio marco.
Producimos los pedidos localmente en 23 países de todo el mundo, por lo que a menudo los regalos pueden realizarse cerca del destinatario. Esto ayuda a que lleguen más rápido, viajen de forma más segura y eviten sorpresas por aduanas o aranceles de importación.
- Podemos entregar directamente al destinatario
- Las piezas enmarcadas llegan listas para colgar
- Las láminas sin enmarcar se embalan cuidadosamente en un resistente tubo protector
- Casi todos los pedidos se producen localmente, para regalar de forma más rápida y segura
- Las devoluciones de 90 días dan al destinatario tiempo para decidir
Si no está seguro de qué elegir, por favor contáctenos. Podemos ayudarle a escoger el mapa, tamaño, acabado u opción de entrega adecuados.
Para la mayoría de los pedidos, el tiempo de entrega es de aproximadamente 3 días laborables. Los productos personalizados y a medida tardan más, ya que tengo que hacer la personalización y enviártelo para su aprobación, lo cual suele tardar 1 o 2 días.
Tenga en cuenta que los pedidos enmarcados muy grandes suelen tardar más en fabricarse y entregarse.
Si necesitas que tu pedido llegue para una fecha determinada, por favor contáctame antes de hacer el pedido para que podamos encontrar la mejor manera de asegurarnos de que recibas tu pedido a tiempo.
Imprimo y enmarco mapas y obras de arte en 23 países alrededor del mundo. Esto significa que tu pedido se fabricará localmente, lo que reduce el tiempo de entrega y asegura que no se dañe durante el envío. Nunca pagarás aranceles de aduana o impuestos de importación, y pondremos menos CO2 en el aire.
Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
Si seleccionas Entrega Exprés al finalizar la compra, priorizaremos tu pedido y lo enviaremos por mensajería de 1 día (Fedex, DHL, UPS, Parcelforce).
La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Mis mapas son reproducciones de mapas originales de altísima calidad.
Obtengo mapas originales y raros de bibliotecas, casas de subastas y colecciones privadas de todo el mundo, los restauro en mi taller de Londres y luego uso tintas e impresoras giclée especializadas para crear hermosos mapas que lucen incluso mejor que el original.
Mis mapas están impresos en papel de archivo mate (no brillante) sin ácido que se siente de muy alta calidad y casi como una tarjeta. En términos técnicos, el peso/grosor del papel es de 10 mil/200 g/m². Es perfecto para enmarcar.
Imprimo con tintas pigmentadas Epson ultrachrome giclée UV resistentes a la decoloración, algunas de las mejores tintas que puedes encontrar.
yo también puedo hacer mapas sobre lienzo, trapo de algodón y otros materiales exóticos.
Obtenga más información sobre The Unique Maps Co..
Personalización de mapas
Si está buscando el regalo perfecto de aniversario o inauguración de la casa, puedo personalizar su mapa para hacerlo verdaderamente único. Por ejemplo, puedo agregar un mensaje corto, resaltar una ubicación importante o agregar el escudo de armas de su familia.
Las opciones son casi infinitas. Por favor mira mi página de personalización de mapas para ver algunos maravillosos ejemplos de lo que es posible.
Para pedir un mapa personalizado, seleccione "personalizar su mapa" antes de agregarlo a su carrito.
Ponerse en contacto si buscas personalizaciones y personalizaciones más complejas.
Envejecimiento del mapa
A lo largo de los años, los clientes me han preguntado cientos de veces si podían comprar un mapa que se viera uniforme. más viejo.
Bueno, ahora puedes hacerlo seleccionando Envejecido antes de agregar un mapa a tu carrito.
Todas las fotografías de productos que ve en esta página muestran el mapa en su forma original. Así es como se ve el mapa hoy.
Si selecciona Envejecido, envejeceré su mapa a mano, usando un proceso especial y único desarrollado a través de años de estudiar mapas antiguos, hablar con investigadores para comprender la química del envejecimiento del papel y, por supuesto... ¡mucha práctica!
Si no estás seguro, quédate con el color original del mapa. Si quieres algo un poco más oscuro y más viejo buscando, opte por Envejecido.
Si no estás satisfecho con tu pedido por cualquier motivo, contáctame para un reembolso sin complicaciones. Por favor, consulta nuestra política de devoluciones y reembolsos para más información.
Estoy muy seguro de que te gustará tu mapa o impresión artística restaurada. He estado haciendo esto desde 1984. Soy un vendedor de 5 estrellas en Etsy. He vendido decenas de miles de mapas e impresiones artísticas y tengo más de 5,000 opiniones reales de 5 estrellas.
Utilizo un proceso único para restaurar mapas y obras de arte que consume mucho tiempo y mano de obra. Buscar los mapas e ilustraciones originales puede llevar meses. Utilizo tecnología de última generación y extremadamente cara para escanear y restaurarlos. Como resultado, garantizo que mis mapas e impresiones artísticas son superiores a los demás - por eso puedo ofrecer un reembolso sin complicaciones.
Casi todos mis mapas e impresiones artísticas se ven increíbles en tamaños grandes (200cm, 6.5ft+) y también puedo enmarcarlos y entregártelos a través de un servicio de mensajería especial para tamaños grandes. Contáctame para discutir tus necesidades específicas.
Este servicio no está disponible actualmente,
disculpe las molestias.
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Allahabad and Environs (Plate 44) captures the late-nineteenth-century capital at the storied junction of the Ganges and Jumna, rendered with the lucid precision of John George Bartholomew and issued by Archibald Constable & Company in 1893. As a city map, it is unusually revealing: the Mughal-era Allahabad Fort anchors the riverfront while a modern lattice of roads, railways, bridges, and canals radiates from the confluence, articulating a metropolis where pilgrimage, bureaucracy, and commerce overlap. Part of Constable’s Hand Atlas of India, the plate balances topographic nuance with urban legibility—pinpointing public buildings, parks, and river landings—so that neighborhoods, bazaars, and the planned colonial quarters can be read as a single living geography. The result is a compelling portrait of an Indian city at a pivotal moment of imperial and civic transformation.
The plate’s urban anatomy unfolds street by street. Walled City Road and Kydganj Road delineate the dense historic quarters near the ghats, where markets spill into lanes like Sadar Bazar Road and Daryaganj Road. Westward, a rational grid announces itself through Civil Lines Road, Victoria Road, Bank Road, and Elgin Road, tracing the planned order of the colonial administration. Company Bagh Road leads into broad green, a landscaped park counterpoint to the bustling chowks. Arterial thoroughfares—Beli Road, Parade Road, and Allenby Road—tie these districts to the broader road network, while Ameenabad, Ganeshganj, and Paharganj Roads sketch the residential suburbs advancing beyond the old ramparts. The juxtaposition of intimate neighborhoods with broad avenues and civic greens is precisely what makes this an especially interesting city map.
Bartholomew gives the rivers a starring role, mapping the Ganges and Jumna with careful attention to banks, islands, and the seasonal drama of monsoon water. Areas marked as “land inundated during rains” disclose the city’s hydrological logic, revealing floodplain margins that shaped settlement, road alignments, and the positioning of public works. Railway lines and river bridges stitch the banks into a single urban field, with East Track Road shadowing the iron way and confirming Allahabad’s emergence as a rail hub linking the North-Western Provinces to broader markets. Canals and embankments curve along the low ground, while river landings and ferry points speak to the enduring vitality of river trade and pilgrimage traffic at the Sangam. It is a hydroscape rendered as infrastructure, belief, and economy all at once.
Military geography is foregrounded with rare candor: cantonments are tinted in yellow, and their internal order—Parade Road, Sadar Bazar Road, New Cantonment Road, and Strategic Road—reads like a manual of garrison planning. The spatial relationship between these cantonments, the Fort, and the trunk roads explains how the city was secured after 1857 and how troops, mail, and commodities flowed between depots, railheads, and river crossings. The yellow washes also make plain the duality of Allahabad—administrative seat, legal center, and rail nexus on one hand; fortified node commanding the confluence on the other. This explicit, color-coded stratigraphy of civil and martial space is a distinctive virtue of the map and a key reason it rewards close urban study.
John George Bartholomew, often called the “Prince of Cartography,” brings his characteristic synthesis of scientific exactitude and typographic grace to this plate, while Archibald Constable & Company situates it within the authoritative Constable’s Hand Atlas of India. Bartholomew’s judicious use of color and symbol renders complex urban information—roads, rails, parks, public buildings, and cantonments—instantly intelligible. For historians, the map fixes Allahabad at the height of its provincial primacy, when courts, colleges, and administrative offices transformed its civic core even as bazaars and riverfront traditions endured. For collectors and connoisseurs of city plans, it exemplifies late-Victorian urban cartography: a meticulous, idea-rich sheet that reveals how transport, water, and power organized one of North India’s most significant cities.
Streets and roads on this map
- Allenby Road
- Ameenabad Road
- Awasthi Road
- Bank Road
- Beli Road
- Civil Lines Road
- Company Bagh Road
- Daryaganj Road
- East Track Road
- Elgin Road
- French Road
- Ganeshganj Road
- Ghonshah Road
- Hathi Pahar Road
- Jawahar Road
- Jewar Road
- Kydganj Road
- Lalita Devi Road
- Mahatma Gandhi Marg
- Mohan Road
- Mothi Bagh Road
- New Cantonment Road
- Numaish Road
- Old Bai Ka Kua
- Paharganj Road
- Parade Road
- Raebareli Road
- Sadar Bazar Road
- Strategic Road
- Victoria Road
- Walled City Road
Notable Features & Landmarks
- Allahabad Fort
- Cantonment areas marked in yellow
- Major roads and railways
- Parks and public buildings
- Rivers Ganges and Jumna
- Land inundated during rains
- Various landmarks and neighbourhoods
Historical and design context
- Map Title: Allahabad and Environs (Plate 44).
- Mapmaker/Publisher: Created by J G John George Bartholomew and published by Archibald Constable & Company.
- Date of Creation: 1893.
- Map's Origin: This map is part of the "Constable's Hand Atlas of India," which consists of 60 double-page maps.
- Design: The binding is distinctive, made of red cloth with maroon goatskin, featuring gilt accents, reflecting high-quality craftsmanship typical of significant historical publications.
- Geographical Context: Depicts the city of Allahabad and surrounding areas, detailing various features pertinent to late 19th-century India.
- Historical Significance: Serves as a valuable resource for historians and cartography enthusiasts to understand the geography and infrastructure of 19th-century India.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
